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Valli was born in Pula, Istria, Italy (now Croatia), to parents who both had mixed ancestry. Her paternal grandfather was Luigi Altenburger, an Austrian-Italian from Trento and her paternal grandmother was Elisa Tomasi from Trento, a cousin of Ettore Tolomei. Valli`s mother, Silvia Oberecker della Martina, was the daughter of the German-Austrian Felix Oberecker from Laibach (now Ljubljana, Slovenia), her mother was Virginia della Martina from Pola, Istria (then part of Austria-Hungary). Valli`s maternal granduncle, Rodolfo, was a close friend of Gabriele d`Annunzio. Valli was christened Alida Maria Laura Altenburger, Baroness von Marckenstein und Frauenberg of the Holy Roman Empire of the German Nation.
At fifteen, she went to Rome, where she attended the Centro Sperimentale di Cinematografia, a school for film actors and directors. At that time, she lived with her uncle Ettore Tolomei. Valli started her movie career in 1934, in Il cappello a tre punte (The Three Cornered Hat). Her first big success came with the movie Mille lire al mese. After many roles in a large number of comedies, she earned her success as dramatic actress in Piccolo mondo antico (1941), directed by Mario Soldati. During the Second World War, she starred in many movies, like Stasera niente di nuovo (1942) and Noi Vivi - Addio Kira! (1943) (based on Ayn Rand`s novel, We the Living) and became a movie star.
Valli had a career in English language films through David Selznick, who signed her to a contract, thinking that he had found a second Ingrid Bergman. In Hollywood, she performed in several movies: she was the murder suspect Maddalena Paradine in Alfred Hitchcock`s The Paradine Case (1947), and the mysterious Czech refugee wanted by the Russians in post-war Vienna in Carol Reed`s The Third Man (1949). But her foreign experience was not a great success due to the financial problems of Selznick`s production company.
Valli had a career in English language films through David Selznick, who signed her to a contract, thinking that he had found a second Ingrid Bergman. In Hollywood, she performed in several movies: she was the murder suspect Maddalena Paradine in Alfred Hitchcock`s The Paradine Case (1947), and the mysterious Czech refugee wanted by the Russians in post-war Vienna in Carol Reed`s The Third Man (1949). But her foreign experience was not a great success due to the financial problems of Selznick`s production company.
In 1959, she appeared in Georges Franju`s horror masterpiece Les Yeux sans visage (Eyes Without a Face). From the 1960s, she worked in several pictures with famous directors, like Pier Paolo Pasolini (Edipo re, Oedipus Rex, 1967), Bernardo Bertolucci (La strategia del ragno, 1972; Novecento, 1976), and Dario Argento (Suspiria, 1977). Her final movie role was in Semana Santa (2002), with Mira Sorvino. In Italy, she was also well-known for her stage appearances in such plays as Ibsen`s Rosmersholm; Pirandello`s Henry IV; John Osborne`s Epitaph for George Dillon; and Arthur Miller`s A View from the Bridge.
Valli`s movie career suffered as a result of the infamous Wilma Montesi scandal, in which her lover and jazz musician Piero Piccioni (the son of the Italian Minister of Foreign Affairs) was involved. Montesi was a fashion model. Her lifeless body was found on a public beach near Ostia; prolonged investigations resulted, involving sensational allegations of drug and sex orgies in Roman society. The accusation of
Biography Credit: en.wikipedia.org/wiki/Alida_Valli#Personal_life
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Grandmother of actor-director Pierpaolo De Mejo.
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