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Ivan Dixon, a handsome, mustachioed African-American actor and director who carried a strong, serious nature about his solid frame, initially earned attention on the ground-breaking stage and film with pronounced themes of social and racial relevance. He would become better known, however, for his ensemble playing in the nonsensical but popular WWII sitcom "Hogan`s Heroes" (1965). His role as a POW radio technician, while heightening his visibility, did little to satisfy his creative needs. Overshadowed by the flashier posturings of stars Bob Crane, Werner Klemperer and John Banner, Ivan eventually left the series, the only one of the original cast to do so. In retrospect, he was among the few African-American male actors in the 1960s, along with Bill Cosby and Greg Morris, to either star or co-star on a major TV series.

Born Ivan Nathaniel Dixon III on April 6, 1931, in New York`s Harlem district, his parents originally owned a grocery store. He grew up, however, in the South and was headed towards a young life of crime when he took a young, burgeoning interest in acting. He got back on the straight-and-narrow studying dramatics at Lincoln Academy, an African American boarding school in Gaston County, North Carolina. He then graduated from North Carolina Central University (in Durham) with a degree in drama in 1954. Ivan`s Broadway debut occurred three years later in William Saroyan`s "The Cave Dwellers" and in 1959 his career took a significant jump after earning the part of Joseph Asagai, the well-mannered Nigerian-born college student, in Lorraine Hansberry`s landmark drama "A Raisin in the Sun," which starred Sidney Poitier and was the first play written by a black woman that was produced on Broadway. He and Poitier became lifelong friends.

Ivan`s early film career included providing stunt double assistance for Poitier in The Defiant Ones (1958). Following minor film parts in the racially-tinged Something of Value (1957) and Porgy and Bess (1959) (both of which starred Poitier), he and Poitier recreated their respective Broadway roles in the film version of A Raisin in the Sun (1961), which drew high marks all the way around. Ivan`s most mesmerizing film role, however, came a few years later when he and renowned jazz singer Abbey Lincoln starred in the contemporary film drama Nothing But a Man (1964). Starring as a young, aimless railroad worker who gives up his job to marry a school teacher and minister`s daughter (Lincoln), his character matures along the way as he strives to build a dignified life for the couple living in a deeply prejudicial South. The film was hailed for its extraordinarily powerful portrayals of black characters and its stark, uncompromising script. The film, which was written by two white documentary filmmakers who spent time in the Deep South in the 1960s, was considered far ahead of its time. Dixon himself never found a comparable role on celluloid again. During this time he was cast dramatically on TV with fine roles on "Perry Mason," "The Twilight Zone," "Laramie" and "The Outer Limits", among others.

Following another strong but secondary showing as Poitier`s brother in the film A Patch of Blue (1965), Dixon won his "Hogan`s Heroes" TV role. While shooting the series, he managed to squeeze in the title role in "The Final War of Olly Winter," a dramatic special which earned him his sole Emmy nomination in 1967. Ivan`s post-"Hogan" acting work was limited. Active in the civil rights m

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