John Densmore Discography

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John Paul Densmore (born December 1, 1944, in Los Angeles, California) is American drummer best known as the drummer of the rock group The Doors from 1965 to 1973.
He is a drummer and songwriter and attended Santa Monica City College and Cal. State-Northridge. John is left handed, though he plays drums right-handed, as evidenced in numerous photographs.
"I`ve been playing for six years. I took piano lessons when I was ten. They tried to get me to play Bach. They tried for two years. When I was in junior high I got my first set of drums. I played symphonic music in high school (tympani, snare drum), then I played jazz for three years. I used to play sessions in Compton and Topanga Canyon."
John Densmore left the world of rock-and-roll in the 1980s, moving to the world of dance as he performed with Bess Snyder and Co., touring the United States for two years.
In 1984, at La Mama Theatre in New York, he made his stage acting debut in Skins, a one-act play he had written. In 1985, he won the L.A. Weekly Theatre Award for music with Methusalem, directed by Tim Robbins. The play, Rounds, which he co-produced, won the NAACP award for theatre in 1987. In 1988, he played a feature role in Band Dreams and Bebop at the Gene Dynarski Theatre. He developed and performed a one-man piece from the short story, The King of Jazz, at the Wallenboyd Theatre in 1989. With Adam Ant, he co-produced Be Bop A Lula at Theatre Theatre in 1992. He has acted in numerous TV shows, most memorably as himself in the show Square Pegs, working as a drummer for Johnny Slash`s band Open 24 Hours. His film credits include: Get Crazy with Malcolm McDowell, Dudes directed by Penelope Spheeris, and The Doors directed by Oliver Stone.
John wrote his best-selling autobiography, Riders On The Storm; and as drummer and an influential member of The Doors, he was inducted into the Rock and Roll Hall of Fame. He and Robby Krieger worked as technical advisors on the 1991 film, and while they were impressed with Val Kilmer`s singing, they were not happy with the film as a whole. The film questionably depicts Densmore as growing to hate Morrison as Morrison`s drug and personal problems begin to overwhelm and dominate his behavior.
According to Ray Manzarek in his book Light My Fire, Morrison did not personally like Densmore. Manzarek theorized that this was because Densmore failed to look Morrison in the eyes when they first met. At one point, Manzarek actually had to talk Morrison out of firing Densmore. Densmore still stayed with the band throughout its life. It is worth noting that Densmore is almost constantly painted in a negative light in Ray Manzarek`s book, which would indicate the two were not on good terms when the book was written.
According to Densmore`s own book, he quit the band on one occasion in reaction to Morrison`s increasingly self-destructive behavior, although he returned the next day. This episode, which occurred during the recording of Waiting For The Sun, was one in a series of incidents over the course of the Doors` career in which Densmore`s commitment to the band and their music clashed with his feelings of concern for Morrison`s continual deterioration. He felt that the Doors` stage performances had begun to decline and that Morrison`s unreliability had become a hindrance. He repeatedly suggested that the band stop touring, but Krieger and Manzarek were resistant to this notion. After the Doors` last performance with Morrison in New Orle