Lee Strasberg

  • Lee Strasberg
  • Lee Strasberg
  • Lee Strasberg
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Lee Strasberg Biography

CAREER
In 1931, Lee Strasberg became one of the co-founders of the Group Theatre, a company which included such legends as Elia Kazan, Clifford Odets, John Garfield, Stella Adler, Sanford Meisner, Franchot Tone, and Robert Lewis. Strasberg left the Group Theatre in 1935 because his controversial theories on acting were challenged by Stella Adler, who in 1934 visited Russian Master Acting Trainer Konstantin Stanislavski. Adler claimed that Stanislavsky had abandoned the theories that had influenced Strasberg. In 1936, Strasberg became a naturalized citizen of the United States. In 1949, he began a lengthy career at the Actors Studio in New York City. Within two years, he was artistic director and the now-renowned institution`s reputation flourished. Actors under his tutelage there included Burt Young, Geraldine Page, Paul Newman, Al Pacino, Kim Stanley, Marilyn Monroe, Jane Fonda, James Dean, Dustin Hoffman, Eli Wallach, Eva Marie Saint, Jill Clayburgh, Ellen Burstyn, Gene Wilder, Steve McQueen and Dennis Hopper.

In 1966, he established the "Actors Studio West" in Los Angeles. In 1969, he began the Lee Strasberg Theatre and Film Institute in New York and Los Angeles.[1]

While rarely stepping in front of the camera himself (he appeared in just seven films), he received most attention for the role of Hyman Roth in The Godfather: Part II. Roth is an elderly Jewish organized crime figure retired to Miami, having become the overlord of criminal enterprise in Cuba; in the course of the film he incurs the wrath of Michael Corleone, played by Strasberg`s former student Al Pacino. Strasberg received an Academy Award nomination for this performance, losing to Robert DeNiro, another one of his former students. Strasberg also gained critical acclaims for his role as one of the three bank robbers in the film Going in Style.

Strasberg is considered by many to be the patriarch of American "method acting".

PERSONAL LIFE
His first marriage was to Nora Krecaun in 1926 until her death in 1929.

He was married to his second wife, the actress and drama coach Paula Miller from 1934 until her death from cancer in 1966. They were the parents of acting teacher John Strasberg and the actress Susan Strasberg.

Lee Strasberg`s third wife was the former Anna Mizrahi, a Sephardic Jew (who was born either in Israel or Caracas, Venezuela) and the mother of his two youngest children, David and Adam.

Lee Strasberg died of a heart attack in New York City at the age of 80; his eldest children and only grandchild were disinherited from his estate. He was interred at Westchester Hills Cemetery in Hastings-on-Hudson, New York.

Marilyn Monroe, a pupil of Strasberg`s,[2] left him her "personal effects and clothing", with her request that Strasberg "distribute these, in his sole discretion, among my friends, colleagues and those to whom I am devoted". The value of these items at the time of Monroe`s death was $3,200.[3] These items were never distributed by Strasberg, but were inherited by his widow and later sold at a 1999 Christie`s auction for $12.3 million.[4] Monroe also left Strasberg the bulk of her estate.[5] Shortly after Monroe`s death, it was reported that the monetary portion of Monroe`s Estate bequeathed to Lee Strasberg totaled $240,000. [6]
 

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Snapshot

    Name Lee Strasberg
    (Israel Strassberg)
    Date of Birth November 171901
    Birthplace Budaniv,Ukraine
    Star Sign Scorpio
    Died February 17, 1982 (Aged 81)
    Location of Death New York City
    Cause of Death Heart Failure
    Nationality Ukraine
    Ethnicity White
    Religion Jewish
    Occupation Actor
    Celebrity Index Le
    Claim to Fame .Invented "The Method"

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Trivia

Trivia and Quotes

Quotes
  • A great actor is independent of the poet, because the supreme essence of feeling does not reside in prose or in verse, but in the accent with which it is delivered.
    Art
  • Acting is the most personal of our crafts. The make-up of a human being - his physical, mental and emotional habits - influence his acting to a much greater extent than commonly recognized.
    Art
  • An actors` tribute to me is in his work.
    Art
  • Art is longer than life.
    Art
  • If we cannot see the possibility of greatness, how can we dream it?
    Art
  • The actor creates with his own flesh and blood all those things which all the arts try in some way to describe.
    Art
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