Signifying intelligence, eloquence, versatility and quiet intensity, one of the more important, critically-acclaimed black actors to gain a Hollywood foothold in the 1970s was Paul Winfield. Born in 1941 in Portland, Oregon, he lived there in his early years before moving with his family to Los Angeles` Watts district. He showed early promise as a student at Manual Arts High School, earning distinction with several performance awards. As a senior, he earned his first professional acting job and extended his theatrical education with a two-year scholarship to the University of Portland in Oregon. Subsequent scholarships led to his studies at Stanford and Los Angeles City College, among other colleges. He left UCLA just six credits short of his BA degree.

Paul`s first big break came in 1964 when actor/director Burgess Meredith gave him a role in Le Roi Jones` controversial one-act play "The Dutchman and the Toilet." Director Meredith cast him again four years in "The Latent Heterosexual" with Zero Mostel. Although he won a contract at Columbia Pictures in 1966 and built up his on-camera career with a succession of TV credits, he continued to focus on the legitimate stage. A member of the Stanford Repertory Theatre, he concentrated on both classic and contemporary plays. In 1969 Paul joined the Inner City Cultural Center Theatre in Los Angeles for two years, which offered a drama program for high school students.

In the late 60s Paul redirected himself back to performing on TV and in films with guest work in more than 40 shows on the small screen, including a boyfriend role on the first season of the landmark black sitcom "Julia" (1968) starring Diahann Carroll. In films he was given a featured part in the Sidney Poitier starrer The Lost Man (1969), and earned comparable roles in R.P.M. (1970) and Brother John (1971) before major stardom occurred. 1972 proved to be a banner year for Paul after winning the male lead opposite Cicely Tyson in the touching classic film Sounder (1972). His towering performance as a sharecropper who is imprisoned and tortured for stealing a ham for his impoverished family earned him an Oscar nomination for "Best Actor" -- the third black actor (Sidney Poitier and James Earl Jones preceded him) to receive such an honor at the time.

From there a host of films and quality TV picture roles began arriving on his doorstep. In minimovies, Paul portrayed various historical/entertainment giants including Thurgood Marshall, Don King and baseball`s Roy Campanella, and was Emmy-nominated for his portrayal of Martin Luther King, Jr. in "King" (1978) with "Sounder" co-star Cicely Tyson as wife Coretta. Throughout the 70s and 80s he earned solid distinction in such prestige projects as "Backstairs at the White House" (1979), "Roots: The Next Generations" (1979) (another Emmy nomination), The Sophisticated Gents (1981) (TV), "The Blue and the Gray" (1982), Sister, Sister (1982) (TV), James Baldwin`s Go Tell It on the Mountain (1985) (TV), Under Siege (1986) (TV) and The Women of Brewster Place (1989) (TV). Although the big screen did not offer the same consistent quality following his breakthrough with "Sounder," he nevertheless turned in strong roles in Conrack (1974), Huckleberry Finn (1974), A Hero Ain`t Nothin` But a Sandwich (1978) (again with Ms. Tyson), Damnation Alley (1977), Star Trek: The Wrath of Khan (1982) and White Dog (1982).

Paul never achieved the promise of a Sidney Poitier-like sta