Screamin Jay Hawkins Discography

• 
  I Shake My Stick at You [AIM]
  (1994)
• 
  Cow Fingers & Mosquito Pie
  (1991)
• 
  Voodoo Jive: The Best of Screamin` Jay Hawkins
  (1990)
• 
  Frenzy
  (1981)
• 
  Portrait of a Man
  (1972)
• 
  I Put a Spell on You [Collectables]
  (1957)

Related Artists

Songs By

Leroy Kirkland Band

Influenced By

Howlin Wolf :: Wynonie Harris :: Roy Brown :: Louis Jordan

Followers

John Fogerty :: Mississippi Mud Sharks :: Screaming Lord Sutch :: Reverend Horton Heat :: The Cramps

Similar Artists

Big Maybelle :: Jackie Brenston :: Sam "The Man" Taylor :: Little Richard :: Reverend Horton Heat :: Amos Milburn :: LaVern Baker :: The Cramps :: Creedence Clearwater Revival :: The Fleshtones :: Paul Bascomb :: Leo Parker :: Red Prysock :: Nappy Brown

See also Biography Index (S) :: Filmography Index (S) :: Discography Index (S)

Jalacy Hawkins, best known as Screamin` Jay Hawkins (July 18, 1929 – February 12, 2000) was an African-American musician, singer, and actor. Famed chiefly for his powerful, operatic vocal delivery and wildly theatrical performances of songs such as "I Put a Spell on You" and "Constipation Blues," Hawkins sometimes used macabre props onstage, making him perhaps the first shock rocker.

Born and raised in Cleveland, Ohio, Hawkins studied classical piano as a child and learned guitar in his twenties. His original career goal was to become an opera singer in the footsteps of Paul Robeson. When his initial ambitions failed, he began his career as a conventional blues singer and pianist.

He served in the U.S. Army in the Pacific theater during World War II, primarily as an entertainer. Although he claimed to have been tortured for some time as a POW, stories of the circumstances of his actual capture vary. According to the documentary, I Put a Spell on Me, upon liberation he blew his chief tormentor`s head off by taping a hand-grenade into his mouth and pulling the pin. Hawkins was an avid and formidable boxer. In 1949, he was the middleweight boxing champion of Alaska.

In 1951, he joined guitarist Tiny Grimes for a while, and recorded a few songs with him. When Hawkins became a solo performer, he often performed in a very stylish wardrobe, featuring leopard skins, red leather and wild hats.

His most successful recording, "I Put a Spell on You" (1956), was selected as one of The Rock and Roll Hall of Fame`s 500 Songs that Shaped Rock and Roll. According to the AllMusic Guide to the Blues, "Hawkins originally envisioned the tune as a refined ballad." The entire band was intoxicated during a recording session where "Hawkins screamed, grunted, and gurgled his way through the tune with utter drunken abandon." The resulting performance was no ballad but instead a "raw, guttural track" that became his greatest commercial success and surpassed a million copies in sales.

The performance was mesmerizing, although Hawkins himself blacked out and was unable to remember the session. Afterward he had to relearn the song from the recorded version. Meanwhile the record label released a second version of the single, removing most of the grunts that had embellished the original performance; this was in response to complaints about the recording`s overt sexuality. Nonetheless it was banned from radio in some areas.

Soon after the release of "I Put a Spell on You", radio disc jockey Alan Freed offered Hawkins $300 to emerge from a coffin onstage. Hawkins accepted and soon created an outlandish stage persona in which performances began with the coffin and included "gold and leopard skin costumes and notable voodoo stage props, such as his smoking skull on a stick – named Henry – and rubber snakes." These props were suggestive of voodoo, but also presented with comic overtones that invited comparison to "a black Vincent Price."

Hawkins had several further hits, including "Constipation Blues", "Orange Colored Sky", and "Feast of the Mau Mau". Nothing he released, however, had the monumental success of "I Put a Spell on You". In fact, "Constipation Blues" has been described as "gross". In Paris in 1999 and at the Taste of Chicago festival, he actually performed the song with a toilet onstage.

He continued to tour and record through the 1960s and 1970s, particularly in Europe, where he was very popular. He appea