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Stewart Granger (6 May 1913 – 16 August 1993), born James Lablache Stewart, was an Anglo- American film actor of Scottish and Italian descent, mainly associated with heroic and romantic leading roles. He was a popular leading man from the 1940s to the 1960s.
He was born in Old Brompton Road, West London, the only son of Major James Stewart, OBE and his wife Frederica Eliza née Lablache, and was educated at Epsom College and the Webber Douglas Academy of Dramatic Art. He was the great-great grandson of the opera singer Luigi Lablache and the grandson of the actor Luigi Lablache. When he became an actor, he was obliged to change his name in order to avoid being confused with the American actor James Stewart. (Granger was his Scottish grandmother`s maiden name.) Off-screen friends and colleagues would continue to call him Jimmy for the rest of his life, but to the general public he became Stewart Granger.

Career

In 1933, he made his film debut as an extra. It was at this time he met Michael Wilding and they remained friends until Wilding`s death in 1979. Years of theatre work followed, initially at Hull Repertory Theatre and then, after a pay dispute, at Birmingham Repertory Theatre. Here he met Elspeth March, a leading actress with the company, who became his first wife. At the outbreak of war, Granger enlisted in the Gordon Highlanders, then transferred to the Black Watch with the rank of second lieutenant. But Granger suffered from stomach ulcers - he was invalided out of the army at the war`s start.]
His first starring film role was in the Gainsborough Pictures period melodrama The Man in Grey (1943), a film that helped to make him a huge star in Britain. A string of popular but critically dismissed films followed, including The Magic Bow in which Granger played Niccolo Paganini and Madonna of the Seven Moons (1945) which the critic Leslie Halliwell called "novelettish balderdash killed stone dead by stilted production". An exception was Saraband for Dead Lovers (1948), an Ealing Studios production. The screenplay was by John Dighton and Alexander Mackendrick, who would later direct The Ladykillers (1955) and Sweet Smell of Success. Granger was cast as the outsider, the handsome gambler who is perceived as `not quite the ticket` by the established order, the Hanovarian court where the action is mostly set. Granger stated that this was one of few films of his of which he was proud.
In 1949, Granger made Adam and Evelyne, starring with Jean Simmons. The story, about a much older man and a teenager whom he gradually realises is no longer a child but a young woman with mature emotions and sexuality had obvious parallels to Granger and Simmons` own lives. Granger had first met the very young Jean Simmons when they both worked on Gabriel Pascal`s Caesar and Cleopatra (1945). Three years on, Simmons had transformed from a promising newcomer into a star - and a very attractive young woman. They married the following year in a bizarre wedding ceremony organised by Howard Hughes - one of his private planes flew the couple to Tucson, Arizona, where they were married, mainly among strangers, with Michael Wilding as Granger`s best man.
After Granger`s stage production of Leo Tolstoy`s The Power of Darkness, (a venture he had intended to provide a vehicle for him to star with Jean Simmons) had been very poorly received when it opened in London at the Lyric Theatre on 25 April 1949, the disappointment, added to dissatisfacti

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