Trivia and Quotes
Quotes
Humphrey Bogart played himself in every movie. Clark Gable always played Clark Gable.
I know I`m not an easy person to get along with, I`m no walk in the park.
Never confuse the size of your paycheck with the size of your talent.
On Hollywood: "A cultural boneyard."
Regrets belong to the past.
The good directors that I`ve worked with will say I`m a good guy. The other fellows will say I`m a bad guy.
You`re not going to call The Rolling Stones artists. I heard somebody compare them - or The Beatles - to Bach [Johann Sebastian Bach]. It was claimed they had created something as memorable and as important as Bach, Haydn [Joseph Haydn], Mozart [Wolfgang Amadeus Mozart] and Schubert [Franz Schubert]. I hate rock `n` roll. It`s ugly. I liked it when the blacks had it in 1927.
[on Burt Reynolds] "I disagree with the thought process of people like him, who is a totally narcissistic person who epitomizes everything wrong with being a celebrity in Hollywood."
[On Cheyenne Autumn (1964)] "That was worse than any other film, because it didn`t tell the truth. Superduper patriots like John Ford could never say that the American government was at fault. He made the evil cavalry captain a foreigner. John Ford had him speak with a thick accent, you didn`t know what he was, but you knew he didn`t represent Mom`s apple pie."
[on Dustin Hoffman] I believe that he has talent. He ought to get away from this rather nervous character that he`s played since "Midnight Cowboy." Then we`d really be able to see that he`s a complete actor.
don`t mind that I`m fat. You still get the same money
Everybody ought not to turn his back on the phenomenon of hatred in whatever form it takes. We have to find out what the anatomy of hatred is before we can understand it. We have to make some attempt to put it into some understandable form. Any kind of group hatred is extremely dangerous and much more volatile than individual hatred. Heinous crimes are committed by groups and it`s all done, of course, in the name of right, justice. It`s John Wayne. It`s the way he thinks. All the crimes committed against Indians are not considered crimes by John Wayne.
Homosexuality is so much in fashion it no longer makes news. Like a large number of men, I, too, have had homosexual experiences and I am not ashamed. I have never paid much attention to what people think about me. But if there is someone who is convinced that Jack Nicholson and I are lovers, may they continue to do so. I find it amusing. (1976)
I always enjoyed watching John Wayne, but it never occurred to me until I spoke with Indians how corrosive and damaging and destructive his movies were - most Hollywood movies were.
I don`t see anybody as evil. When you start seeing people as evil, you`re in trouble. The thing that`s going to save us is understanding. The inspection of the mind of Eichmann [Adolf Eichmann] or Himmler [Heinrich Himmler] . . . Just to dispense with them as evil is not enough, because it doesn`t bring you understanding. You have to see them for what they are. You have to examine John Wayne. He`s not a bad person. Who among us is going to say he`s a bad man? He feels justified for what he does. The damage that he does he doesn`t consider damage, he thinks it`s an honest presentation of the facts.
Privacy is not something that I`m merely entitled to, it`s an absolute prerequisite.
This is a false world. It`s been a struggle to try to preserve my sanity and sense of reality taken away by success. I have to fight hard to preserve that sense of reality so as to bring up my children.
Three or four times, I`ve pulled a gun on somebody. I had a problem after Charles Manson, deciding to get a gun. But I didn`t want somebody coming in my house and committing mayhem. The Hillside Strangler victims - one of the girls was found in back of my Los Angeles house. My next-door neighbor was murdered, strangled in the bathroom. Mulholland Drive is full of crazy people. We have nuts coming up and down all the time.
[On John Wayne`s 1971 interview with Playboy magazine] That doesn`t need a reply, it`s self-evident. You can`t even get mad at it; it`s so insane that there`s just nothing to say about it. He would be, according to his point of view, someone not disposed to returning any of the colonial possessions in Africa or Asia to their rightful owners. He would be sharing a perspective with B.J. Vorster if he were in South Africa. He would be on the side of Ian Smith. He would have shot down Gandhi [Mahatma Gandhi], called him a rabble rouser. The only freedom fighters he would recognize would be those who were fighting Communists; if they were fighting to get out from under colonial rule, he`d call them terrorists. The Indians today he`d call agitators, terrorists, who knows? If John Wayne ran for President, he would get a great following ... I think he`s been enormously instrumental in perpetuating this view of the Indian as a savage, ferocious, destructive force. He`s made us believe things about the Indian that were never true and perpetuated the myth about how wonderful the frontiersmen were and how decent and honorable we all were.
A movie that I was in, called On the Waterfront (1954): there was a scene in a taxicab, where I turn to my brother, who`s come to turn me over to the gangsters, and I lament to him that he never looked after me, he never gave me a chance, that I could have been a contender, I coulda been somebody, instead of a bum ... "You should of looked out after me, Charley." It was very moving. And people often spoke about that, "Oh, my God, what a wonderful scene, Marlon, blah blah blah blah blah." It wasn`t wonderful at all. The situation was wonderful. Everybody feels like he could have been a contender, he could have been somebody, everybody feels as though he`s partly bum, some part of him. He is not fulfilled and he could have done better, he could have been better. Everybody feels a sense of loss about something. So that was what touched people. It wasn`t the scene itself. There are other scenes where you`ll find actors being expert, but since the audience can`t clearly identify with them, they just pass unnoticed. Wonderful scenes never get mentioned, only those scenes that affect people.
America has been good to me, but that wasn`t a gift.
Even today I meet people who think of me automatically as a tough, insensitive, coarse guy named Stanley Kowalski. They can`t help it, but, it is troubling.
I have eyes like those of a dead pig.
If Wally [Wally Cox] had been a woman, I would have married him and we would have lived happily ever after.
I`m one of those people who believes that if I`m very good in this life I`ll go to France when I die.
Most people want those fantasies of those who are worthy of our hate - we get rid of a lot of anger that way; and of those who are worthy of our idolatry. Whether it`s Farrah Fawcett or somebody else, it doesn`t make a difference. They`re easily replaceable units, pick `em out like a card file. Johnnie Ray enjoyed that kind of hysterical popularity, celebration, and then suddenly he wasn`t there anymore. The Beatles are now nobody in particular. Once they set screaming crowds running after them, they ran in fear of their lives, they had special tunnels for them. They can walk almost anyplace now. Because the fantasy is gone. Elvis Presley - bloated, over the hill, adolescent entertainer, suddenly drawing people into Las Vegas - had nothing to do with excellence, just myth. It`s convenient for people to believe that something is wonderful, therefore they`re wonderful.
It is a simple fact that all of us use the techniques of acting to achieve whatever ends we seek.... Acting serves as the quintessential social lubricant and a device for protecting our interests and gaining advantage in every aspect of life.
It seems to me hilarious that our government put the face of Elvis Presley on a postage stamp after he died from an overdose of drugs. His fans don`t mention that because they don`t want to give up their myths. They ignore the fact that he was a drug addict and claim he invented rock `n` roll when in fact he took it from black culture; they had been singing that way for years before he came along, copied them and became a star.
To grasp the full significance of life is the actor`s duty, to interpret it is his problem, and to express it his dedication.
Acting is an empty and useless profession.
If the vacuum formed by Dr. King`s death isn`t filled with concern and understanding and a measure of love, then I think we all are really going to be lost here in this country.
[After accepting the Best Actor Oscar for On the Waterfront (1954) at the 27th Academy Awards ceremony] "I can`t remember what I was going to say for the life of me. I don`t think ever in my life that so many people were so directly responsible for my being so very, very happy."
[On his characterization of Terry Malloy in On the Waterfront (1954)] "[The role] was actor-proof, a scene that demonstrated how audiences often do much of the acting themselves in an effectively told story."
[On Malcolm X]: "He was a dynamic person, a very special human being who might have caused a revolution. He had to be done away with. The American government couldn`t let him live. If 23 million blacks found a charismatic leader like he was, they would have followed him. The powers that be couldn`t accept that."
[On the Academy Awards, Connie Chung TV interview, 1990] "What do I care? I`ve made all the money I need to make. I won a couple of Academy Awards if I ever cared about that. I`ve been nominated I don`t know how many times and I`m in a position of respect and standing in my craft as an actor in this country. So what the hell, I don`t need to gild the lily."
[On the Academy Awards, to Connie Chung after his Best Supporting Actor nomination for A Dry White Season (1989)] "That`s a part of the sickness in America, that you have to think in terms of who wins, who loses, who`s good, who`s bad, who`s best, who`s worst . . . I don`t like to think that way. Everybody has their own value in different ways, and I don`t like to think who`s the best at this. I mean, what`s the point of it?"
{On directing] "I did it once. It was an ass-breaker. You work yourself to death. You`re the first one up in the morning . . . I mean, we shot that thing [One-Eyed Jacks (1961)] on the run, you know. You make up the dialog the scene before, improvising, and your brain is going crazy."
Acting is the expression of a neurotic impulse. It`s a bum`s life. Quitting acting is a sign of maturity.
[On the impact of The Godfather (1972)] "I`d gotten to know quite a few mafiosi, and all of them told me they loved the picture because I had played the Godfather with dignity. Even today I can`t pay a check in Little Italy."
An actor`s a guy who, if you ain`t talking about him, ain`t listening.
I don`t think it`s the nature of any man to be monogamous. Men are propelled by genetically ordained impulses over which they have no control to distribute their seed.
If there`s anything unsettling to the stomach, it`s watching actors on television talk about their personal lives.
Regret is useless in life. It`s in the past. All we have is now.
With women, I`ve got a long bamboo pole with a leather loop on the end. I slip the loop around their necks so they can`t get away or come too close. Like catching snakes.
[On Frank Sinatra] "He`s the kind of guy that when he dies, he`s going up to heaven and give God a bad time for making him bald."
[On his unforgettable role in The Godfather (1972)] "I went home and did some rehearsing to satisfy my curiosity about whether I could play an Italian. I put on some makeup, stuffed Kleenex in my cheeks and worked out the characterization first in front of a mirror, then on a television monitor. After working on it, I decided I could create a characterization that would support the story. The people at Paramount saw the footage and liked it, and that`s how I became the Godfather."
[When asked how he spent his time away from the camera] "People ask that a lot. They say, `What did you do while you took time out?` - as if the rest of my life is taking time out. But the fact is, making movies is time out for me because the rest, the nearly complete whole, is what`s real for me. I`m not an actor and haven`t been for years. I`m a human being - hopefully a concerned and somewhat intelligent one - who occasionally acts."
An actor is at most a poet and at least an entertainer.
I don`t know what people expect when they meet me. They seem to be afraid that I`m going to piss in the potted palm and slap them on the ass.
I don`t want to spread the peanut butter of my personality on the mouldy bread of the commercial press.
I put on an act sometimes, and people think I`m insensitive. Really, it`s like a kind of armour because I`m too sensitive. If there are two hundred people in a room and one of them doesn`t like me, I`ve got to get out.
If you`re successful, acting is about as soft a job as anybody could ever wish for. But if you`re unsuccessful, it`s worse than having a skin disease.
The more sensitive you are, the more likely you are to be brutalised, develop scabs and never evolve. Never allow yourself to feel anything because you always feel too much.
The most repulsive thing you could ever imagine is the inside of a camel`s mouth. That and watching a girl eat octopus or squid.
The only thing an actor owes his public is not to bore them.
Would people applaud me if I were a good plumber?
[On one of his most famous characters, Stanley Kowalski from A Streetcar Named Desire (1951)] "Kowalski was always right, and never afraid. He never wondered, he never doubted. His ego was very secure. And he had the kind of brutal aggressiveness that I hate. I`m afraid of it. I detest the character."
Trivia
A large part of his estate was bought by entrepreneur Keya Morgan.
His Mulholland Drive home once shared a driveway with his The Missouri Breaks (1976) co-star Jack Nicholson`s home.
In 1999 the American Film Institute named him the fourth Greatest Male Star of All Time.
Is related to four presidents of the United States: James Madison, John Tyler, Zachary Taylor, Jimmy Carter; and to General George S. Patton.
He was an avid user of the Internet in his final years, often going into chat rooms to start arguments.
He was originally cast in John Wayne`s role as Genghis Khan in The Conqueror (1956), but backed out at the last minute.
Jay Kantor was a lowly mail-room clerk at Lew Wasserman`s talent agency Music Corp. of America when he was sent to pick up Marlon Brando and drive him to the agency. Impressed by the young man, Brando promptly appointed him his agent. (Kantor inspired the character of Teddy Z in the 1989 TV series "The Famous Teddy Z" (1989).
Originally considered too young at 23 to play Stanley Kowalski in the Broadway version of "A Streetcar Named Desire", and the producers of the show tried to get 34-year-old Burt Lancaster, newly a huge star in movies thanks to The Killers (1946). When Lancaster was unable to get permission from the film studio, Brando was given the part and became an overnight sensation.
Sean Penn told writer Charles Bukowski that Brando put scripts from producers into his freezer, in order to use them as targets in skeet shooting. Brando would take the frozen scripts and have them tossed in the air into the canyon below his home at night, and then proceed to blast them into smithereens with a shotgun while they were on the fly. By freezing the scripts, the pages were stiff and made for better "clay pigeon" substitutes. The practice is mentioned in one of Bukowski`s poems. Bukowski also wrote about Brando in his short story "You Kissed Lilly", in which Lilly masturbates while watching Brando in a movie on television. The story is part of the collection "Hot Water Music" (1983).
Subject of the song "I`m stuck in a condo with Mr. Marlon Brando" by The Dickies.
Turned down Charlton Heston`s Oscar winning role in Ben-Hur (1959).
Turned down Edmund Purdom`s role in The Egyptian (1954).
Turned down Gary Cooper`s Oscar winning role in High Noon (1952).
Turned down the role of Vulcan in The Adventures of Baron Munchausen (1988). Director Terry Gilliam was summoned to Brando`s Mulholland Dr. home in Los Angeles to discuss the part, but it became apparent that Brando really wasn`t interested in taking the part. Nonetheless, Gilliam treasured the time he got to spend with Brando. The part later was played by Oliver Reed, who spent his time drinking and trying to seduce Uma Thurman, who was a virgin at the time.
After he received his first Academy Award nomination (Best Actor for A Streetcar Named Desire (1951)), Brando impishly told the Hollywood beat writers that he would not attend the ceremony but would send a cab-driver in his place to pick up the Oscar, should he win the award. Indeed, Brando did not attend, and some columnists claimed that a cabby actually was in attendance in Brando`s seat at Los Angeles` R.K.O. Pantages Theatre the night of ceremony of March 20, 1952. Alas, Brando was the sole "Steetcar" acting nominee not to win that night as Humphrey Bogart took home the gold, so the question can never be satisfactorily resolved.
Brando`s character Ken Wilcheck in his cinema debut The Men (1950) (1950) has the nickname "Bud", which was his own nickname as he was a "junior". (Brando`s father, Marlon Brando Sr., later worked for his company Pennebaker Productions, which was named after his mother, the former Dorothy Pennebaker.) The only other film in which Brando goes by the name which his family and intimate friends called him is The Night of the Following Day (1968) (1968).
Brando`s children: 1) From first marriage (with Anna Kashfi) = Christian Devi Brando aka Gary Brown (b. 1958); 2) From second marriage (with Movita Castaneda) = Miko C. Brando (b. 1961) and Rebecca Brando Kotlinzky (b. 1967); 3) From third marriage (with Tarita Teriipia) = Simon Teihotu Brando (b. 1967), Stefano Brando (b. 1967) and Tarita Cheyenne Brando (b. 1970 and d. 1995); 4) From liaisons with Maria Christina Ruiz, his maid = Ninna Priscilla Brando (b. 1989), Myles Jonathan Brando (b. 1992) and Timothy Gahan Brando (b. 1994). Also adopted 3 children: Petra Brando-Corval (daughter of Brando`s assistant Caroline Barrett), Maimiti Brando and Raiatua Brando.
Brando`s decision to send a Mexican actress named Maria Cruz - calling herself Sacheen Littlefeather - to refuse his Best Actor Oscar for The Godfather (1972) at the The 45th Annual Academy Awards (1973) (TV) brought widespread condemnation. At the ceremony Clint Eastwood remarked he didn`t know whether he should dedicate the Oscar he was presenting to "all the cowboys shot in John Ford`s westerns". Michael Caine, nominated for his performance in Sleuth (1972), angrily condemned Brando`s actions while Rock Hudson remarked, "Sometimes to be eloquent is to be silent.".
He was a close friend of the reclusive singer Michael Jackson for many years, even appearing in his music video "You Rock My World" in 2001. The last time Brando left his bungalow in Hollywood was to stay at Jackson`s Neverland Ranch in the summer of 2003.
Keith Richards`s son, Marlon Richards is named after him.
Made the Top 10 Poll of Money-Making Stars, as ranked by Quigley Publications` annual survey of movie exhibitors, five times from 1954 to 1973. He debuted at #10 in 1954, and climbed to #6 in 1955 before falling off the list in 1956. He again made the list, as #4, in 1958. He did not appear on the list again until 1972, when he was ranked the #6 Box Office star after the extraordinary success of The Godfather (1972). He made one last appearance in 1973, going out as he had come onto the list, at #10.
Posthomously received the `Stella Adler` Award for Lifetime Achievement, presented by his friend and neighbor Warren Beatty to his son Miko C. Brando.
Supported John F. Kennedy in the 1960 presidential election.
Was offered the part of Viktor Komarovsky in Doctor Zhivago (1965) by double-Oscar winning director David Lean. After a month went by in which Brando failed to respond to director Lean`s written inquiry into whether he wanted to play Komarovsky, the director offered the part to James Mason, who was a generation older than Brando. Lean decided on Mason, who initially accepted the part, as he did not want an actor who would overpower the character of Yuri Zhivago (specifically, to show Zhivago up as a lover of Lara, who would be played by the young Julie Christie, which the charismatic Brando might have done, shifting the sympathy of the audience). Mason eventually dropped out and Rod Steiger, who had just won the Silver Bear as Best Actor for his role as the eponymous The Pawnbroker (1964), accepted the role.
Became quite friendly with Elizabeth Taylor while shooting Reflections in a Golden Eye (1967). Brando agreed to pick up her Best Actress Award for Who`s Afraid of Virginia Woolf? (1966) from the New York Film Critics Circle. When Brando made his appearance at the NYFCC Award ceremony at Sardi`s on January 29, 1967, he hectored the critics, querying them as to why they hadn`t recognized Liz before. He then flew to Dahomey, Africa where Taylor was shooting The Comedians (1967) with husband Richard Burton to personally deliver the award. Brando later socialized with the Burtons, visiting them on their famous yacht the Kalizma, while they plied the Mediterreanean. Brando`s ex-wife Anna Kashfi, in her book "Brando for Breakfast" (1979), claimed that Brando and Burton got into a fist-fight aboard the yacht, probably over Liz, but nothing of the incident appears in Burton`s voluminous diaries. In his diaries, Burton found Brando to be quite intelligent but believed he suffered, like Liz did, from becoming too famous too early in his life. He recognized Brando as a great actor, but felt he would have been more suited to silent films due to the deficiency in his voice (the famous "mumble"). As a silent film star, Burton believed Brando would have been the greatest motion picture actor ever.
Brando had to sue Francis Ford Coppola to get all the monies owed to him from his percentage of the profits of Apocalypse Now (1979). Brando characterized the people in the movie industry as "liars" to Lawrence Grobel (who conducted his 1979 Playboy interview): "Even Francis Coppola owed me one-and-a-half million and I have to sue him. They all do that, as they make interest on the money...so they delay paying.... It`s all so ugly, I hate the idea of having to act, but there`s no other way to do it."
Brando`s friend, the actor William Redfield, mentioned him prominently in the memoir he wrote about the 1964 stage production of Hamlet (1964/I) directed by John Gielgud and starring Richard Burton. In "Letters from an Actor" (1967, Viking Press), Redfield -- who played Guildenstern -- said that Brando had been considered the Great White Hope by his generation of American actors. That is, they believed that Brando`s more naturalistic style, combined with his greatness as an actor, would prove a challenge to the more stylized and technical English acting paradigm epitomized by Laurence Olivier, and that Brando would supplant Olivier as the world`s greatest actor. Redfield would tell Burton stories of Brando, whom the Welsh actor had not yet met. Redfield sadly confessed that Brando, by not taking on roles such as Hamlet (and furthermore, by betraying his craft by abandoning the stage, thus allowing his instrument to be dulled by film work), had failed not only as an actor, but had failed to help American actors create an acting tradition that would rival the English in terms of expertise.
He worked for union scale on the anti-apartheid film A Dry White Season (1989) with the proviso that the producers donate $3 million (which would have been his normal fee) to charity. When Brando was interviewed by Connie Chung for her TV program "Saturday Night with Connie Chung" broadcast on October 7, 1989, he said was upset with the picture and mentioned the charitable gift the producers had made on his bequest to show his commitment to toppling apartheid in South Africa. Circa 1989, Brando could be generous as he appeared set financially for life due to his profit participation in Apocalypse Now (1979) and the $14 million settlement he won from Superman (1978) producer Ilya Salkind. However, the defense of his son Gary Brown, who was arrested for murder on May 16, 1990, reportedly cost his father as much as $5 million, so Brando was forced to go back to work after almost a decade away from the screen, but for the anti- apartheid picture and what he intended as his career swan-song, The Freshman (1990), for which he was paid $3 million (approximately $4.7 million in 2005 dollars). When he died in 2004, Brando left an estate valued at more than $20 million.
His monumental portrayal of Vito Corleone in the masterpiece The Godfather (1972) is the #1 Greatest Movie Character of All Time in Premiere Magazine.
The producers of the film adaptation of Sir Peter Shaffer`s play Equus (1977) were interested in casting either Brando or Jack Nicholson in the lead role of Dr. Martin Dysart. The part went instead to Richard Burton, who had to "screen-test" for the role by agreeing to appear in the play on Broadway. Burton did, got rave reviews and a special Tony award, and won his seventh and last Oscar nomination for the role. In his diary, Burton wrote that in the late 1950s, he was always one of the first actors producers turned to when Brando turned down a role.
Turned down the role of the Sundance Kid in Butch Cassidy and the Sundance Kid (1969) after Paul Newman took over the production from Steve McQueen. McQueen, who was obsessed with Newman as his rival as a movie actor and superstar, had bought the script from William Goldman, originally called "The Sundance Kid and Butch Cassidy". McQueen was slated to play "The Sundance Kid". When he dropped out and Newman took over the production, the title was reversed and Brando was offered the role. He declined in order to film _Queimada! (1969) ("Burn") with Gillo Pontecorvo. Brando earlier had dropped out of Elia Kazan`s _Arrangement, The (1969)_, shortly after the assassination of Dr. Martin Luther King. Brando told Kazan he could not star in a run-of-the-mill movie after King`s assassination. Instead, he opted for "Burn", which was a pro-revolutionary story about a rebellion of African slaves in the Caribbean.
Was considered by director Tim Burton for the role of The Penguin in Batman Returns (1992). Creator Bob Kane was relieved that Brando wasn`t cast, as he was the "wrongest possible choice for the role."
Was paid $3 million for 10 days work on The Formula (1980) (approximately $8.5 million in 2005 terms). Brando told Lawrence Grobel ("Conversations with Brando") that the movie, which he only made for the money as he was broke, was ruined in the editing room, with the humor of his scenes cut out. In his autobiography, Brando -- in a caption for a picture from the film -- recounts that George C. Scott asked him during the shooting of the film whether he, Brando, would ever give the same line-reading twice. Brando replied, "I know you know a cue when you hear one." The two both played chess together during waits during the shooting. Scott said that Brando was not that good a player.
Was unable to raise the $10 million bail initially required of his son Christian Brando (Gary Brown) in the May 16, 1990 slaying of his sister Cheyenne`s boyfriend Dag Drollet. After the holding of a two-day preliminary hearing in early August 1990, the presiding judge ruled that enough evidence had been presented to try Christian on first-degree murder charges. At this time, the judge refused to lower the $10 million bail due to what he termed evidence of the Brando family`s failure to cooperate with he court, specifically citing Cheyenne`s flight from the United States to avoid helping the police investigation. However, two weeks later, the same judge reduced Christian`s bail to $2 million, which his father Marlon was able to post by putting up his Mulholland Drive house as collateral. Marlon soon accepted a cameo role in the film Christopher Columbus: The Discovery (1992) for $5 million, according to Variety, the bible of the Hollywood trade papers.
According to Lawrence Grobel`s "Conversations with Brando" (NY: Hyperion, 1991), Brando ultimately made $14 million from Superman (1978). The Salkinds, producers of the movie, tried to buy out his share of the profits for $6 million, but Brando refused and had to file a lawsuit to recover what was owed him.
After clashing with French director Claude Autant-Lara, Brando walked off production of Rouge et le noir, Le (1954).
Both of his Oscar-winning roles have been referenced in the Oscar-winning roles of Robert De Niro. DeNiro played the younger version of his character, Vito Corleone, in The Godfather: Part II (1974). Brando`s first Oscar was for On the Waterfront (1954), where his famous lines were "I coulda had class. I coulda been a contender. I could been somebody." DeNiro imitates this monologue in Raging Bull (1980), which won him his second Oscar.
Contrary to popular belief, Brando was not an atheist. At his son`s trial, where he supposedly revealed his atheism and refused to swear upon a Bible, his actual words were, "While I do believe in God, I do not believe in the same way as others, so I would prefer not to swear on the Bible".
He did not like to sign autographs for collectors. Because of this, his own autograph became so valuable, that many checks he wrote went uncashed. His own signature on them was worth more than the value on the check itself. Ironically, his secretary Alice Marchak remembered a time when a fan asked for his autograph. Brando promptly signed the fan`s autograph book twice. Brando then told the fan that he had heard that one John Wayne was equal to two Marlon Brando`s on the collector`s market!.
In his 1976 biography "The Only Contender" by Gary Carey, Brando was quoted as saying, "Like a large number of men, I, too, have had homosexual experiences, and I am not ashamed."
The Chase (1966) producer Sam Spiegel was quite fond of Brando, who won his first Best Actor Oscar in the Spiegel-produced Best Picture winner On the Waterfront (1954). When casting Brando in The Chase (1966), Spiegel was worried that motorcycle enthusiast Brando would kill himself like James Dean had, in an accident. (Brando had had lacerated his knee while biking before filming began.) Spiegel constantly queried "Chase" director Arthur Penn as to whether Brando had brought his motorbike with him to the filming. When Brando got wind of this, he had his motorcycle brought over to the set on a trailer and left on the lot to play a joke on Spiegel, who quickly arrived at the shooting to see that Brando didn`t drive it. When Spiegel found out it was all a joke, the normally taciturn producer laughed heartily. Spiegel originally had acquired the property that became "The Chase" in the 1950s and wanted Brando to play the role of Jason `Jake` Rogers and Marilyn Monroe to play his lover, Anna Reeves . By the time production began in 1965, Brando was too old to play the role of the son, and took the part of Sheriff Calder instead. Brando was paid $750,000 and his production company Pennebaker was paid a fee of $130,000. (Marlon`s sister Jocelyn Brando also was cast in the small role of Mrs. Briggs.) Brando did not like the part, and complained that all he did in the picture was wander around. He began referring to himself as "The Old Lamplighter." However, many critics and cinephiles consider Sheriff Calder one of his best performances.
Was the first male actor to break the $1 million threshold when Metro-Goldwyn- Mayer offered him that amount to star in the remake of Mutiny on the Bounty (1962) (1962). Brando had turned down the lead role in David Lean`s masterpiece Lawrence of Arabia (1962), which had been offered by producer Sam Spiegel, because he didn`t like the lengthy shooting schedule. Ironically, "Bounty" itself wound up with an extensive shooting schedule due to a snail-pace schedule caused by a plethora problems due to location shooting. With overages due to the extended shoot, Brando pocketed $1.25 million for the picture (approximately $8 million in 2005 dollars). Elizabeth Taylor had previously broken the million-dollar-mark for a single picture with her renegotiated contract for Cleopatra (1963). Both films went vastly over schedule and wildly over budget and wound up hemorrhaging potfuls of red ink despite relatively large grosses, though Taylor`s flick outshone Brando`s in the area of fiscal irresponsibility and wound up bankrupting its studio, 20th Century-Fox. Seventeen years later, after almost a decade of failure that caused him to be considered "box office poison" in the late 1960s/early 1970s (a string of flops that began with the failure of the "Bounty" remake), Brando became the highest paid actor in history with a $3.7-million up-front payment against a percentage of the gross for Superman (1978), a role that required his presence on the set for 12 days, plus an additional day for looping. Steve McQueen earlier had priced his services at $3 million a picture but had gotten no takers (many in Hollywood at the time believed he had deliberately set his price that high so he could take some time off). Three million dollars was the price McQueen quoted Francis Ford Coppola for his services for Apocalypse Now (1979), but Coppola refused to meet his demands and McQueen stayed off the screen for four years. Brando later appeared in the Coppola film in what is a supporting performance for a leading man/superstar salary of at least $2 million plus 8% of the gross over the negative cost. Brando made more money from his share of "Apocalypse Now" than from any other picture he appeared in; it financed his own retirement from the screen during the 1980s. After a decade off screen, so potent was the Brando name that he reportedly was paid over $2 million (donated to charity) for a supporting role in the anti-apartheid drama A Dry White Season (1989). Even toward the end of his life, when most of his contemporaries other than Paul Newman were no longer stars (Tony Curtis`s asking price reportedly had dropped to $50,000 in the early 1990s) and could no longer command big money (Newman was the exception in that the financially secure super-star didn`t ask for big money), Brando could still command a $3 million salary for a supporting role in The Score (2001).
When cast as Col. Kurtz in Francis Ford Coppola`s Apocalypse Now (1979), Brando had promised to lose weight for the role, as well as read Joseph Conrad`s novel "Heart of Darkness", on which Coppola`s script was based. Coppola had envisioned Kurtz as a lean and hungry warrior; the character of Kurtz in the Conrad novellas was a wraith and weighed barely more than a child despite his great stature due to his suffering from malaria. When 52-year old Brando -- who had already been paid part of his huge salary -- appeared on the set in the Philippines, he had lost none of the weight, so Coppola and cinematographer Vittorio Storaro were forced to put Brando`s character in the shadows in most shots. In the penultimate appearance of Kurtz in the film, when he appears in silhouette in the doorway of his temple compound as the sacrificial bull is lead out, a very tall double (about 6`5" tall) was used to try to give the character a greater physical stature, rather than just Buddha-like belly-fat that girded the 5`10" star. Brando didn`t get around to reading the novella until many years later.
Rode his own Triumph 6T Thunderbird, registration #63632, in The Wild One (1953).
A collection of personal effects from Brando`s estate fetched $2,378,300 at a June 30, 2005 auction at Christie`s New York. His annotated script from The Godfather (1972) was bought for a world record $312,800. "Godfather" memorabilia were the most sought-after items at the 6.5-hour auction, which attracted over 500 spectators and bidders and multiple telephone bids. Brando`s annotated film script originally was figured to sell at between $10,000 and $15,000, but brought more than 20 times the high end of the pre-auction estimate. The previous record for a film script bought at auction was $244,500 for Clark Gable`s Gone with the Wind (1939) script, which was auctioned at Christie`s New York in 1996. A letter from "Godfather" writer Mario Puzo to Brando asking him to consider playing the role of Don Corleone in the movie version of his novel was bought for $132,000. A photograph of Brando and former lover Rita Moreno in The Night of the Following Day (1968), the only piece of film memorabilia he kept in his Mulholland Dr.home, was bought for $48,000. A transcript of a telegram from Brando to Marilyn Monroe after her 1961 nervous breakdown was bought for $36,000. His extensive library of over 3,600 books was sold in lots, some of which fetched over $45,000; many of the books were annotated in Brando`s own hand.
At the time of his death at the age of eighty, Brando had been suffering from congestive heart failure, advanced diabetes and pulmonary fibrosis (damage to the tissue inside the lungs resulting from a bout of pneumonia in 2001). Doctors had recently discovered a tumor inside his liver, but he died before they could operate to remove it.
Believed that he could control stress in his life and physical pain through meditation. So sure he was of this, that he wanted to prove it. When he decided in the early nineties to be circumcised, he wanted the doctor to do the operation with no anesthesia so that he could show off this skill. The doctor refused because of medical ethics, but Brando underwent the operation anyway after receiving a painkilling shot in his back. Nevertheless, he wanted to show the doctors what he could do, and he asked them to take his blood pressure. Through meditation, he brought his blood pressure down more than 20 points.
His decision to play the title role in The Island of Dr. Moreau (1996) turned out to be an offer that he definitely should have refused. He received the Worst Supporting Actor Razzie Award, beating Burt Reynolds, who was nominated for Striptease (1996), by a single vote. The vote was cast by Razzie award founder John Wilson, who always chooses to vote last.
His The Night of the Following Day (1968) co-star Richard Boone directed the final scenes of the film at the insistence of Brando as he could no longer tolerate what he considered the incompetence of director Hubert Cornfield. The film is generally considered the nadir of Brando`s career.
In a 1966 review of Brando`s film The Chase (1966), film critic Rex Reed commented that "most of the time he sounds like he has a mouth full of wet toilet paper."
Liked to box. While performing as Stanley Kowalski in the stage version of "A Streetcar Named Desire", he would often persuade a member of the stage crew to spar with him in a room underneath the stage between his acts. During one of these impromptu boxing matches, a reluctant member of the stage crew surprised him with a punch to the nose. Marlon`s nose was broken so badly that it literally was split across its bridge. He managed to go on stage and finish the play despite the fact that backstage efforts to stanch the bleeding had failed, but was taken to the hospital immediately after. His famous broken-beak nose was the result of his having taken off his bandages in order to cover his nose with Mercurochrome to make it look particularly bad when he was visited by producer Irene Mayer Selznick. The subterfuge worked as Selznik gave him two weeks off from the grind of the play (he was on stage with "Streetcar" for two years), but by taking the bandages off, his nose did not properly set.
Shortly before his death, his doctors had told him that the only way to prolong his life would be to insert tubes carrying oxygen into his lungs. He refused permission, preferring to die naturally.
Was a licensed amateur (ham) radio operator with the call signs KE6PZH (his American license) and FO5GJ (is license for his home in French Polynesia). For both licenses, he used the name "Martin Brandeaux".
Bette Davis, who had presented Brando with his first Best Actor Oscar at the 27th Academy Awards in 1955, told the press that she was thrilled he had won. She elaborated, "He and I had much in common. He, too, had made many enemies. He, too, is a perfectionist.".
He and director Tony Kaye paid 350,000 pounds sterling for footage of what allegedly is the "Angel of Mons," according to The Sunday Times (March 11, 2001). The Angel of Mons was an apparition that legend holds appeared in the skies during the British Expeditionary Force`s first encounter with the Imperial Germany Army during WWI, which enabled a successful retreat by the BEF. The film allegedly was found in August 1999 in a junk-shop, which had a trunk belonging to a man called William Doidge, a WWI veteran. Doidge had been at Mons in August 1914 and knew about or possibly saw the apparition of angels in the sky as the British Army retreated from the overwhelming German advance. After the war he became obsessed by these apparitions. An American war veteran told him in 1952 that angels had appeared before some American troops were drowned during an exercise in 1944 at Woodchester Park in the Cotswolds. Doidge went there with a movie-camera and supposedly captured images of them. Kaye planned to make a film of the incident, starring Brando as the American vet, but the plans fell through when the two fell out over an acting video.
He constantly referred to his good friend Johnny Depp as "the most talented actor of his generation".
His mother gave him an odd pet: a raccoon he named Russell.
The news agency Reuters, in an article about about Vanity Fair magazine`s upcoming Hollywood issue, reported after his death that Brando repeatedly voiced objections to appearing in The Godfather (1972). According to Brando`s friend Budd Schulberg, who won an Oscar writing the screenplay for On the Waterfront (1954), Brando repeatedly told his assistant Alice Marchak that he would not be in a film that glorified the Mafia. Schulberg said that Marchak pestered him to read the best-seller, and at one point he threw the book at her, saying, "For the last time, I won`t glorify the Mafia!" However, Marchak noticed that Brando subsequently began toying with the idea of a mustache to play Don Corleone, at first drawing one on with an eyebrow pencil and asking her, "How do I look?" "Like George Raft," she replied. Marchak told Schulberg this went on for awhile, with Brando trying different mustaches, until he finally won the part after agreeing to a screen test. Among the actors he beat out for the role were Laurence Olivier, who was too sick to work on the film, and Burt Lancaster, who had offered to do a screen test for the role and was looked on favorably by Paramount brass.
When participating in the March on Washington, brandished a cattle prod to show the world the brutality blacks faced in the South.
At the 27th Academy Awards, held March 30, 1955 at the RKO Pantages Theatre in Los Angeles, California, Brando chewed gum throughout the ceremony, according to columnist Sidney Skolsky. When Bette Davis came out to present the Best Actor Oscar, Brando stopped chewing. When she announced him as the winner, Brando took the gum out of his mouth and shook hands with fellow nominee Bing Crosby, who had been reckoned the favorite that night, before going on stage to accept the statuette.
At the 77th Academy Awards ceremony, he was the last person featured in the film honoring film industry personalities who had passed away the previous year.
In his September 1972 Playboy Magazine interview, director Sam Peckinpah said that a problem with One-Eyed Jacks (1961) is that Brando would not play a villain. Peckinpah had worked on rewriting the script, which was based on the novel "The Authentic Death of Hendry Jones," a re-telling of the Billy the Kid legend. Billy the Kid, according to Peckinpah, was a genuine villain, whereas Brando`s character "Rio" was not, thus lessening the dramatic impact of the story. He praised Brando for his acting comeback as Don Corleone in The Godfather (1972), both as the return of a great actor and as an example of Brando`s newfound willingness to shuck off his old predilection and actually play a villain.
Won his seventh, and last, Best Actor Oscar nomination in 1974, for Ultimo tango a Parigi (1972), after he had generated much ill-will in Hollywood by refusing his Oscar for The Godfather (1972). Academy President Walter Mirisch said of the nomination, "I think it speaks well for the Academy. It proves that voting members are interested only in performances, not in sidelights." Interestingly, the only other actor to refuse an Academy Award, George C. Scott, also was nominated as Best Actor the year following his snubbing of the Academy. So far, Brando, Scott and screenwriter Dudley Nichols, who refused to accept his 1935 Oscar for the movie The Informer (1935) due to a Writers Guild strike, are the only people out of more than 2,000 winners to turn down the Award.
After a decade of being considered "box-office poison" after the large losses generated by the big-budget remake of _Mutiny on the Bounty (1962)_, the twin successes of The Godfather (1972) and _Ultimo tango a Parigi (1972)_ made Brando a superstar again. He was named the #6 and #10 top money-making star in 1972 and 1973, respectively, by the Motion Picture Herald. The top 10 box-office list was based on an annual poll of movie exhibitors in the US as to the drawing power of stars, conducted by Quigley Publications. Brando used his unique combination of box-office power and his reputation as the greatest actor in the world to command huge salaries throughout the decade, culminating in the record $3.7 million for 12 days work paid him for Superman (1978) by Alexander Salkind and Ilya Salkind. Factored for inflation, his adjusted salary of $11.25 million in 2002 terms equals almost $1 million a day, a record until Harrison Ford breached the $1 million a day threshold for K-19: The Widowmaker (2002).
Brando tried to join the Army during World War II but was rejected due to a knee injury he had sustained while playing football at Shattuck Military Academy. After he made The Men (1950), the Korean War broke out, and he was ordered by the draft board to report for a physical prior to induction. As his knee was better due to an operation, he initially was reclassified from 4-F to 1-A, but the military again rejected him, this time for mental problems, as he was under psychoanalysis.
Considered Montgomery Clift a friend and a "very good actor." They were not rivals, as the public perceived them to be during the 1950s. After Clift died of a heart attack in 1966, Brando took over his role in Reflections in a Golden Eye (1967).
Even before he let himself get obese and balloon up to over 350 lbs., his eating habits were legendary. The Men (1950) co-star Richard Erdman claimed Brando`s diet circa 1950 consisted "mainly of junk food, usually take-out Chinese or peanut butter, which he consumed by the jarful." By the mid-1950s he was renowned for eating boxes of Mallomars and cinnamon buns, washing them down with a quart of milk. Close friend Carlo Fiore wrote that during the `50s and early `60s, Brando went on crash diets before his films commenced shooting, but when he lost his willpower, he would eat huge breakfasts consisting of corn flakes, sausages, eggs, bananas and cream, and a huge stack of pancakes drenched in syrup. Fiore was detailed by producers to drag him out of coffee shops. Karl Malden claimed that, during the shooting of One-Eyed Jacks (1961), he would have "two steaks, potatoes, two apple pies a la mode and a quart of milk" for dinner, necessitating constant altering of his costumes. During a birthday party for Brando--the film`s director as well as star--the crew gave him a belt with a card reading, "Hope it fits." A sign was placed below the birthday cake saying: "Don`t feed the director." He reportedly ate at least four pieces of cake that day. His second wife Movita, who had a lock put on their refrigerator to stop pilfering by what she thought was the household staff, awoke one morning to find the lock broken and teeth marks on a round of cheese. The maid told her that Brando nightly raided the fridge. Movita also related how he often drove down to hot dog stands late at night, wolfing down as many as six at a time. _Mutiny on the Bounty (1962)_ costumer James Taylor claimed that Brando split the seat on 52 pairs of pants during the shooting of the film, necessitating that stretch fabric be sewn into Marlon`s replacement duds. He split those, too. Ice cream was the culprit: Brando would purloin a five-gallon tub of the fattening dessert, row himself out into the lagoon and indulge. On the set of The Appaloosa (1966), Brando`s double often had to be used for shooting after lunch, and filming could only proceed in long shots, as Brando could no longer fit into his costumes. Dick Loving, who was married to Brando`s sister Frannie, said that Marlon used to eat "two chickens at a sitting, and [go] through bags of Pepperidge Farm cookies." It was reported during the filming of The Missouri Breaks (1976) that the environmentally sensitive Brando fished a frog out of a pond, took a huge bite out of the hapless amphibian, and threw it back into the drink. Living on his island of Tetioroa, Brando created what he called "real-life Mounds Bars" by cracking open a coconut, melting some chocolate in the sun, then stirring it into the coconut for a tasty treat. By the 1980s, there were reports that one of Brando`s girlfriends had left him because he failed to keep his promise of losing weight. Marlon seemed to be dieting, but to her astonishment, he never lost weight. She found out that his buddies had been throwing bags of Burger King Whoppers over the gates of his Mulholland Dr. estate late at night to relieve the hunger pangs of their famished friend. In the late `80s Brando was spotted regularly buying ice cream from a Beverly Hills ice cream shop--five gallons at a time. He supposedly confessed that he was eating it all himself. Finally, a reported Brando snack was a pound of cooked bacon shoved into an entire loaf of bread. When Brando became ill, he seriously cut back and lost 70 pounds on a bland diet, but never lost his love of food and especially ice cream.
His best friend was Wally Cox, whom he had known as a child and then met again when both were aspiring actors in New York during the 1940s. According to Brando`s autobiography, there wasn`t a day that went by when he didn`t think of Wally. So close did he feel to Cox, he even kept the pajamas he died in.
Just after the end of World War II, met the then-unknown James Baldwin and Norman Mailer at a cafeteria in New York. He became friends with Baldwin, a friendship that lasted until Baldwin`s death.
Shortly before his death in 2004, he gave EA Games permission to use his voice for its video game _Godfather: The Game, The (2006) (VG)_.
Studied modern dance with Katherine Dunham in New York in the early 1940s and briefly considered becoming a dancer.
The story about his mother his character Paul tells Jeanne in Ultimo tango a Parigi (1972), about how she taught him to appreciate nature, which he illustrates with his reminiscence of his dog Dutchy hunting rabbits in a mustard field, is real, based on his own recollections of his past.
Was scheduled to appear in the David Lean-directed "Nostromo" in 1991, but when Lean died, the production came to a halt. Thus, the world missed the last of three chances to see one of the world`s greatest actors work with one of the world`s greatest directors. Producer Sam Spiegel, who had won an Oscar for On the Waterfront (1954), offered Brando the title role in Lean`s Lawrence of Arabia (1962), but he turned it down, saying he didn`t want to ride camels in the desert for two years. Brando was Lean`s first choice for the male lead in Ryan`s Daughter (1970), but Brando, who at that time was considered box office poison by movie studios, never was offered the role.
According to co-producer Fred Roos, Brando was scheduled to make a cameo appearance in The Godfather: Part II (1974), specifically in the flashback at the end of the film in which Vito Corleone comes back to his home and is greeted with a surprise birthday party. In fact, he was expected the day of shooting but did not show up due to a salary dispute. According to Francis Ford Coppola, he hadn`t been paid for The Godfather (1972) and thus would not appear in the sequel.
Asked The Godfather (1972) co-star James Caan what he would want if his wishes came true. When Caan answered that he`d like to be in love, Brando answered, "Me too. But don`t tell my wife."
Director Francis Ford Coppola wanted Brando to appear as Preston Tucker Jr. in his biopic of the maverick automotive executive he planned to make after he completed The Godfather: Part II (1974). Brando was not interested but did appear in Apocalypse Now (1979), the film Coppola actually did make after finishing The Godfather (1972) sequel. When Coppola finally got around to making the film Tucker: The Man and His Dream (1988), he cast Jeff Bridges in the role.
He attended a staging of Eugene O`Neill`s autobiographical "Long Day`s Journey Into Night" with an eye towards starring in a proposed film of the play. The play deals with the drug addiction of Mary Tyrone, modeled after O`Neil`s own mother, which, along with her husband`s miserliness and her oldest son`s alcoholism, has blighted her youngest son`s life. When asked his opinion of the play, Brando, whose mother was an alcoholic and had died relatively young in 1954, replied, "Lousy." Jason Robards, who originated the role of older son James Tyrone, Jr. in the original Broadway production in 1956, subsequently appeared in Sidney Lumet`s 1962 movie.
He was reportedly once interested in playing Pablo Picasso on film and was trying to reduce weight on a banana diet. The film was never made.
In his book "The Way It`s Never Been Done Before: My Friendship with Marlon Brando," George Englund relates how Brando told him a couple of years before his death that the Academy of Motion Picture Arts & Sciences offered him a Lifetime Achievement Oscar on the condition that he attend the ceremony to personally accept the award. Brando refused, believing that the offer shouldn`t be conditional, and that the condition that he appear on the televised ceremony showed that the Academy was not primarily focused on honoring artistic excellence.
Paramount studio chief wanted him to appear as Jay Gatsby in The Great Gatsby (1974), but Brando wanted $4 million, an unheard of salary at the time.
Took possession of friend Wally Cox`s ashes from his widow in order to scatter them at sea but actually kept them hidden in a closet at his house. In his autobiography, Brando said he frequently talked to Cox. The Los Angeles Times on September 22, 2004 quoted Brando`s son, Miko, to the effect that both his father`s and Cox`s ashes were scattered at the same time in Death Valley, California in a ceremony following Brando`s death.
Was a fan of Afro-Caribbean music, and changed from being a strick drummer to the congas after becoming enthralled by the music in New York City in the 1940s.
Was offered $2 million for four days work to appear as a priest in Scary Movie 2 (2001) but had to withdraw when he was hospitalized with pneumonia in April 2001. Consequently the role was played by James Woods.
Biographer Peter Manso said that at the time of production of flops such as The Appaloosa (1966), Brando had turned down the leading role of a Hamlet production in England, with Laurence Olivier.
During an acting class, when the students were told to act out "a chicken hearing an air-raid siren," most of the students clucked and flapped their arms in a panic, while Brando stood stock-still, staring up at the ceiling. When asked to explain himself, Brando replied, "I`m a chicken - I don`t know what an air-raid siren is."
He reputedly suggested that his cameo role as Jor-El in _Superman (1978)_ be done by him in voiceover only, with the character`s image onscreen being a glowing, levitating green bagel. Unsure if Brando was joking or not, the film`s producers formally rejected the suggestion.
He was offered a chance to reprise his role as Vito Corleone in The Godfather: Part II (1974) and Jor El in Superman II (1980), but he turned them both down due to his own credo that once he finished a role, he put it away and moved on. He turned down both films despite being offered three times more money than any of his co-stars.
Helped out a lot of minorities in America, including African Americans, Asian Americans, Hispanic Americans and Native American Indians.
His last role was a voice performance in an animated comedy, _Big Bug Man (2008)_ , about a candy-factory owner (voiced by Brendan Fraser) who gets superpowers after bugs bite him. The film is set for release in 2008, and Brando provides the voice of Mrs. Sour, the owner of the candy factory.
His mother was of Irish-English descent; his father of Dutch-German descent whose ancestral name was spelled either "Brandau" or "Brandeis". Brando himself was somewhat confused about his own heritage, attributing the name "Brando" to a French paternal ancestor with the spelling "Brandeau". His French ancestry was on his father`s side through his 2nd great-grandmother, who was a 5th generation descendant of Louis DuBois, a French Huguenot refugee who, with 11 others, founded the town of New Paltz, New York.
His signature was considered so valuable to collectors, that many personal checks he wrote were never cashed because his signature was usually worth more than the amount on the check.
Received top billing in nearly every film he appeared in, even if not cast in the lead role.
Studied at the Dramatic Workshop at the New School for Social Research in New York City.
Adopted child: Petra Barrett Brando, whose biological father is author James Clavell.
Born to alcoholic parents, Brando was left alone much of the time as a child.
Daughter Cheyenne committed suicide in 1995, aged 25.
Expelled from high school for riding a motorcycle through the halls.
His son Miko Brando was once a bodyguard for Michael Jackson. Jackson and Brando remained good friends thereafter.
In April, 2002, a woman filed a $100 million palimony lawsuit in California against Brando, claiming he fathered her three children during a 14-year romantic relationship. Maria Cristina Ruiz, 43, filed the breach of contract suit, demanding damages and living expenses. The lawsuit was settled in April 2003.
Received more money for his short appearance as Jor-El in Superman (1978) than Christopher Reeve did in the title role. Brando later sued for a percentage of the film`s profits.
Said that the only reason he continued to make movies was in order to raise the money to produce what he said would be the "definitive" film about Native Americans. The film was never made.
Was mentioned in Dolce vita, La (1960) in a discussion about salary paid to film stars.
While filming The Score (2001), he refused to be on the set at the same time as director Frank Oz, referring to the former "Muppets" director as "Miss Piggy.".
Bizarrely unique voice with an extreme nasal tonality spoken in mumbles.
Eldest son Gary Brown was arrested for murdering his half-sister`s boyfriend Dag Drollet in 1990. He was sentenced to 10 years in prison in March 1991 and released in January 1996.
Frequently played young, somewhat misunderstood rebels in his youth (A Streetcar Named Desire, The Wild One, On the Waterfront) and later powerful criminals (The Godfather, The Formula, The Freshman, The Score).
He balked at the prospect of Burt Reynolds in the role of Santino Corleone in The Godfather (1972).
Lived on infamous "Bad Boy Drive" (Muholland Drive in Beverly Hills, California), which received its nickname because its residents were famous "bad boy" actors Jack Nicholson, Warren Beatty and Brando.
Native of Omaha, Nebraska. His mother once gave stage lessons to Henry Fonda, another Nebraska native.
Owned a private island off the Pacific coast, the Polynesian atoll known as Tetiaroa, from 1966 until his death in 2004.
Two years before Brando declined his Oscar for Best Actor in The Godfather (1972), he`d applied to the Academy to replace the one he`d won for On the Waterfront (1954), which had been stolen. Prior to its theft, Brando had been using the Oscar as a doorstop.
Was roommates with Wally Cox during his theatrical training in New York City. The two remained lifelong friends, and Brando took Cox`s sudden death from a heart attack at the age of 48 extremely hard.
Worked as a department store elevator operator before he became famous. He quit after four days due to his embarrassment in having to call out the lingerie floor.
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