Biography
Distinctive Features
his deep voice
Trivia and Quotes
Quotes
 I prefer the old masters; by which I mean: John Ford, John Ford and John Ford. - on his favorite directors [on Edward G. Robinson] An immensely effective actor.
[on Federico Fellini] His films are a small town boy`s dream of a big city. His sophistication works because it is the creation of someone who doesn`t have it. But he shows dangerous signs of being a superlative artist with little to say.
[on James Cagney] No one was more unreal and stylized, yet there is no moment when he was not true.
[on Rene Clair] A real master: he invented his own Paris, which is better than recording it.
If spiritually you`re part of the cat family, you can`t bear to be laughed at. You have to pretend when you fall down that you really wanted to be down there to see what`s under the sofa. The rest of us don`t at all mind being laughed at.
"Everybody denies that I am genius - but nobody ever called me one".
A good artist should be isolated. If he isn`t isolated, something is wrong.
Hollywood is the only industry, even taking in soup companies, which does not have laboratories for the purpose of experimentation.
I do not suppose I shall be remembered for anything. But I don`t think about my work in those terms. It is just as vulgar to work for the sake of posterity as to work for the sake of money.
I`m not rich. Never have been. When you see me in a bad movie as an actor (I hope not as a director), it is because a good movie has not been offered to me. I often make bad films in order to live.
Living in the lap of luxury isn`t bad, except you never know when luxury is going to stand up.
Race hate isn`t human nature; race hate is the abandonment of human nature.
I passionately hate the idea of being with it; I think an artist has always to be out of step with his time.
The word genius was whispered into my ear, the first thing I ever heard, while I was still mewling in my crib. So it never occurred to me that I wasn`t until middle age.
I have the terrible feeling that, because I am wearing a white beard and am sitting in the back of the theater, you expect me to tell you the truth about something. These are the cheap seats, not Mount Sinai.
(At RKO Studios working on Heart of Darkness, a film he later abandoned), "This is the biggest electric train set a boy ever had!"
A film is never really good unless the camera is an eye in the head of a poet.
For thirty years people have been asking me how I reconcile X with Y! The truthful answer is that I don`t. Everything about me is a contradiction and so is everything about everybody else. We are made out of oppositions; we live between two poles. There is a philistine and an aesthete in all of us, and a murderer and a saint. You don`t reconcile the poles. You just recognize them.
I don`t pray because I don`t want to bore God.
I hate it when people pray on the screen. It`s not because I hate praying, but whenever I see an actor fold his hands and look up in the spotlight, I`m lost. There`s only one other thing in the movies I hate as much, and that`s sex. You just can`t get in bed or pray to God and convince me on the screen.
I think it is always a tremendously good formula in any art form to admit the limitations of the form.
I think I`m... I made essentially a mistake staying in movies, because I... but it... it`s the mistake I can`t regret because it`s like saying "I shouldn`t have stayed married to that woman, but I did because I love her." I would have been more successful if I`d left movies immediately. Stayed in the theater, gone into politics, written-- anything. I`ve wasted the greater part of my life looking for money, and trying to get along... trying to make my work from this terribly expensive paint box wich is an... a movie. And I`ve spent too much energy on things that have nothing to do with a movie. It`s about two percent movie making and 98% hustling. It`s no way to spend a life.
My doctor told me to stop having intimate dinners for four. Unless there are three other people.
[On Citizen Kane (1941) being colorized] "Keep Ted Turner and his goddamned Crayolas away from my movie."
(on Hollywood in the 1980s) "We live in a snake pit here...I hate it but I just don`t allow myself to face the fact that I hold it in contempt because it keeps on turning out to be the only place to go."
I hate television. I hate it as much as peanuts. But I can`t stop eating peanuts.
I want to give the audience a hint of a scene. No more than that. Give them too much and they won`t contribute anything themselves. Give them just a suggestion and you get them working with you. That`s what gives the theater meaning: when it becomes a social act.
If there hadn`t been women we`d still be squatting in a cave eating raw meat, because we made civilization in order to impress our girl friends. And they tolerated it and let us go ahead and play with our toys.
Even if the good old days never existed, the fact that we can conceive such a world is, in fact, an affirmation of the human spirit.
I started at the top and worked down.
I`m not bitter about Hollywood`s treatment of me, but over its treatment of Griffith, Von Sternberg, Von Stroheim, Buster Keaton and a hundred others.
I`m not very fond of movies. I don`t go to them much.
Movie directing is the perfect refuge for the mediocre.
[Commenting on pop idol Donny Osmond] "He has Van Gogh`s ear for music."
Trivia
CBS wanted him to host "The Twilight Zone" (1959) but the producers felt that he requested too much money. He was ultimately ruled out in favor of the show`s creator, Rod Serling.
Has been played by Vincent D`Onofrio twice: Ed Wood (1994) and Five Minutes, Mr. Welles (2005).
Hated working on The Transformers: The Movie (1986), where he voiced Unicron. When asked about the film, he not only couldn`t remember the name of his character, but he described the film as being "I play a big toy who attacks a bunch of smaller toys.".
His performance as Charles Foster Kane in Citizen Kane (1941) is ranked #12 on Premiere Magazine`s 100 Greatest Movie Characters of All Time.
His performance as Harry Lime in The Third Man (1949) is ranked #93 on Premiere Magazine`s 100 Greatest Movie Characters of All Time.
In the 1930s he worked at various radio stations in New York City, at different times of the day. He found it difficult to be on time for his live shows because he had to use taxicabs and the heavy New York City traffic meant that he was often late. He soon found a loophole in the law that said you didn`t have to be sick to hire an ambulance, so he did just that and had the drivers blast their sirens as he traveled from one station to the next, and that way he was on time.
Is portrayed by Paul Shenar in the made-for-TV film The Night That Panicked America (1975) (TV), which dramatized Welles` "War of the Worlds" radio drama.
John Ford, whom Welles admired as the greatest American director and who, in turn, admired Welles as a director and actor, wanted to cast him as Mayor Frank Skeffington in his movie adaption of Edwin O`Connor`s novel The Last Hurrah (1958). Welles was unable to accept the role due to scheduling conflicts, and Spencer Tracy was cast instead.
Merv Griffin claims in his new DVD collection, "Merv Griffin: Interesting People" that Welles died two hours after giving Merv an interview in which he had said to ask him anything, "for this interview there are no subjects about which I won`t speak." In the past, Welles refused to speak about the past.
Profiled in in J.A. Aberdeen`s "Hollywood Renegades: The Society of Independent Motion Picture Producers". Palos Verdes Estates, CA: Cobblestone Entertainment
Before deciding on adapting the life of William Randolph Hearst in Citizen Kane (1941), he intended his first film to be an adaptation of Joseph Conrad`s "Heart of Darkness". Ironically enough, he was Francis Ford Coppola`s first choice for the role of Col. Kurtz in Apocalypse Now (1979), itself an adaptation of "Heart of Darkness".
Considered black and white to be "the actor`s best friend", feeling that it focused more on the actor`s expressions and feelings than on hair, eye or wardrobe color.
He made The Lady from Shanghai (1947) towards the end of his marriage to Rita Hayworth. They were constantly fighting at the time and (some say as a comeuppance to Hayworth) he made her cut off most of her long, luxurious red hair and dye it bright platinum blonde.
His average dinner famously consisted of two steaks cooked rare, and a pint of scotch - explaining his obesity as he got older, and his subsequent death.
His father was an alcoholic
In his collection of interviews, "This Is Orson Welles", he claimed to have never even read his so-called novelization of "Mr Arkadin", let alone written it.
Most of his movie projects never got finished or released due to financial problems and disputes with studio executives. Some of his unfinished productions are: The Deep (1970) (Laurence Harvey`s death made a finished movie impossible), The Merchant of Venice (1969) (TV) and Don Quijote de Orson Welles (1992).
Was a passionate painter
Was very good friends with Peter Bogdanovich, in whose house he lived for several years during Bogdanovich`s affair with Cybill Shepherd. Welles even gave Bogdanovich written instructions to finish his last film, The Other Side of the Wind (1972), before his death.
He became obese in his 40s, weighing over 350 pounds towards the end of his life.
His 1937 Broadway stage production of William Shakespeare`s "Julius Caesar", in which the setting was changed to a modern Fascist Rome to reflect the Mussolini era, but in which Shakespeare`s language was completely retained, became, and still remains, the longest-running Broadway production of the play. Welles played Brutus. This production was never filmed, but years later, Welles` former working partner John Houseman produced a traditional film version of the play for MGM, starring James Mason as Brutus, Marlon Brando as Marc Antony and John Gielgud as Cassius.
Laurence Olivier had wanted to cast him as Buckingham in his film of Shakespeare`s "Richard III" but gave the role to Ralph Richardson, his oldest friend, because Richardson wanted it. In his autobiography, Olivier says he wishes he had disappointed Richardson and cast Welles instead, as he would have brought an extra element to the screen, an intelligence that would have gone well with the plot element of conspiracy.
Lobbied to get the part of Don Vito Corrleone in The Godfather (1972). Francis Ford Coppola, a fan of his, had to turn him down because he already had Marlon Brando in mind for the role and felt Welles wouldn`t be right for it.
Provided voice for some songs of heavy metal band Manowar: Dark Avenger and Defender
Told Peter Bogdanovich that, as a practicing magician, he became adept at the old carny trick of fortune-telling, but he became so good at it that it scared him. He was worried that he`d come to believe he actually DID have the power to tell the future, like the self-deluded fortune tellers known as a "shut eye."
Wanted to make films of two literary masterpices, Herman Melville`s "Moby Dick" and Joseph Heller`s "Catch-22", but had to be satisfied in having supporting roles in the films made of the two books by John Huston and Mike Nichols.
Was possibly not as tall as is often reported. According to Simon Callow`s "Orson Welles: The Road To Xanadu," medical records exist from a Welles physical in 1941. His weight is listed as 218, and his height at 72" - 6 feet even. Biographers Charles Higham and Frank Brady describe Welles as being 6` 2", though they never provide a source. Biographer Barbara Leaming often comments on his height, but never gives an exact measurement. An early Current Biography article on Welles describes him as being "tall and chubby," while a later one gives the obviously incorrect 6` 3-1/2" height. If you average all the figures and based on his size compared to other actors, he probably in fact stood a little over 6 feet tall (6` 1" to 6` 2").
When he signed on to direct Touch of Evil (1958), instead of reading the book on which it was based, a pulp novel named "Badge of Evil," he completely changed an early draft of the script.
Declined the chance to be the voice of Darth Vader in Star Wars (1977).
Frank Sinatra was the godfather of one of his daughters.
Has the distinction of appearing in both the American Film Institute and British Film Institute`s #1 movie. For AFI it was Citizen Kane (1941). For BFI it was The Third Man (1949).
He tried to make a film version of Miguel de Cervantes y Saavedra` book "Don Quixote". He started working on it in 1955 and continued to film through the 1970s with Francisco Reiguera and Akim Tamiroff starring. An incomplete version was released in Spain in 1992.
He was born on the same day that Babe Ruth hit his very first home run.
He was inducted into the Radio Hall of Fame in 1988.
He was the studio`s first choice to play the voiceover role of "OMM" in THX 1138 (1971). However, director George Lucas insisted on casting the relatively unknown stage actor James Wheaton instead.
Made a Hollywood satire, The Other Side of the Wind (1972), starring John Huston and Peter Bogdanovich. Though it was completed, the post-production process was not and the film also ran into legal problems.
Portrayed the title character on the syndicated radio show "The Lives of Harry Lime" (also known as "The Third Man") (1951-1952). It was based on his character from the film The Third Man (1949).
A bootleg tape of a short-tempered (and foul-mouthed) Orson Welles arguing with a recording engineer during a voice-over session has been widely distributed. It was used as the basis for an episode of the cartoon show "Pinky and the Brain" (1995), with The Brain reading cleaned-up verions of Orson`s rantings (the episode`s title, "Yes, Always", is taken from one of Orson`s complaints). Ironically, the actor who plays The Brain, Maurice LaMarche, dubbed the voice of the actor who portrays Orson Welles in Ed Wood (1994).
Ashes are buried inside an old well covered by flowers, within the rural property of retired bullfighter Antonio Ordóńez, Ronda, Malaga, Spain.
Despite his reputation as an actor and master film-maker, he maintained his membership in the Magicians` Union, and regularly practiced sleight-of-hand magic in case his career came to an abrupt end.
Died the same day as Yul Brynner.
H.G. Wells was driving through San Antonio, Texas and stopped to ask the way. The person he happened to ask was none other than Orson Welles who had recently broadcast "The War of the Worlds" on the radio. They got on well and spent the day together.
On 30 October 1938, he directed the Mercury Theatre On the Air in a dramatization of "War of the Worlds", based on H.G. Wells` novel. Setting the events in then-contemporary locations (The "landing spot" for the Martian invasion, Grover`s Mill, New Jersey, was chosen at random with a New Jersey road map) and dramatizing it in the style of a musical program interrupted by news bulletins, complete with eye-witness accounts, it caused a nationwide panic, with many listeners fully convinced that the Earth was being invaded by Mars. The next day, Welles publicly apologized. While many lawsuits were filed against both Welles and the CBS radio network, all were dismissed. The incident is mentioned in textbook accounts of mass hysteria and the delusions of crowds.
On old time radio, Orson Welles provided the voice for Lamont Cranston, aka THE SHADOW.
Once ate 18 hotdogs in one sitting at Pink`s (a Los Angeles hot dog institution).
One of only six actors to receive an Academy Award nomination for Best Actor for his first screen appearance. (The other five actors are: Alan Arkin, James Dean, Paul Muni, Montgomery Clift and Lawrence Tibbett)
`American Broadcasting Company (ABC) [us]` wanted him to play Mr. Roarke on "Fantasy Island" (1978), but Aaron Spelling insisted on Ricardo Montalban.
|
Gold Sites
Silver Sites
Fan Sites
Comments
Submit a Comment