Kiss Me Kate (1953) |
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Kiss Me Kate Cast |
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Movie Highlights |
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Other InformationAwardsBest Written American Musical Writers Guild of America, USA [1954] (Won/Nominated: Nominated) Best Music, Scoring of a Musical Picture Academy Awards [1954] (Won/Nominated: Nominated) Plot SummaryCole Porter`s Kiss Me Kate is a musical within a musical — altogether appropriate, since its source material, Shakespeare`s The Taming of the Shrew, was a play within a play. Howard Keel and Kathryn Grayson star as famous Broadway singing team who ha... TaglineThe Greatest of All Great MGM MUsicals... Bigger, Better Blushin-er than the famed Broadway Smash Hit MGM presents Hollywood`s first important BIG MUSICAL in 3-D on our Panoramic Screen with MIRACLOUS STEREOPHONIC SOUND! COLOR, too! IN 3D !!! THE FAMED STAGE HIT...NOW A BIG COLORFUL MUSICAL! DiscographySinglesFrom This Moment On Brush Up Your Shakespeare Always True to You in My Fashion Bianca Where Is the Life That Late I Led?" Were Thine That Special Face I Hate Men I`ve Come to Wive It Wealthily in Padua Tom, Dick or Harry We Open in Venice Wunderbar Why Can`t You Behave Too Darn Hot So in Love |
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Full Cast and Crew |
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Actor CreditsNon Actor Credits |
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Photo Gallery |
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Fans |
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Kiss Me Kate has no fans yet!
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Trivia |
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Trivia and QuotesQuotes Baptista: Wonder of wonders, a gentleman in Verona desires you in marriage.
Lilli Vanessi: Then he best go back there.
Bianca: I`m a maid who wouldst marry.
Hortensio: Any Tom?
Lucentio: Dick?
Gremio: Or Harry?
Bianca: Any Harry, Tom, or Dick!
Lilli Vanessi: Do you really think *I* could play the shrew?
Fred Graham: You`d make a perfect shrew!
Trivia Kiss Me Kate opened at the New Century Theater on December 30, 1948 and ran for 1077 performances. Chorographer Hermes Pan makes an appearance as a sailor in the number "Always True to You in My Fashion." Publicity photos on the piano during the "So In Love" number include a shot from the previous Howard Keel / Kathryn Grayson pairing, Show Boat (1951), but the photo from Annie Get Your Gun (1950) has Grayson`s face replacing Betty Hutton`s. For the famous spanking scene, Kathryn Grayson and costume designer Helen Rose played a joke on Howard Keel -- Rose put a wooden board under Grayson`s costume. This was Ann Miller`s favorite role. It was expanded for the film - Miller`s character does not sing "Too Darn Hot" in the stage version; it is sung by Paul`s dresser, who is an African-American. Deanna Durbin was the original choice for the role of Lilli Vanessi. Even though Hermes Pan is the credited choreographer on the film, the steamy duet between Bob Fosse and Carol Haney in "From This Moment On" (which includes Fosse doing a complete back-flip) was choreographed by Fosse himself, and lasts only 66 seconds. But it is the sequence that made critics take notice of the future award-winning choreographer and director. The original stage show was based upon the backstage bickering of the illustrious married stage couple Alfred Lunt and Lynn Fontanne during their 1935 Broadway production of "Taming of the Shrew." Howard Keel maintained that he was not the first choice for the film, and that the studio wanted Laurence Olivier or Danny Kaye. The movie was shot full frame (1.33:1, including soundtrack area) and then printed with optical soundtrack and interlocked with a magnetic, full-coated strip of film in the theater. While shot on Ansocolor film stock, the prints were by Technicolor, who optically centered the picture to fit the soundtrack on the film (unfortunately, new prints do not have this advantage and the left portion of the picture is cut off prematurely). According to trade ads, the film was only shot in 3-D and except for the premiere (at Radio City), played at almost all major theaters across the USA in 3-D. According to the director in a 1953 interview, the aspect ratio was intended to be 1.75:1, although it was protected for almost every ratio, due to the ever-changing standards of flat widescreen at the time. Several of the Broadway lyrics were considered too "spicy" for a film. For instance, "according to the Kinsey Report" was changed to "according to the weather report" in the song, "Too Darn Hot", and a verse containing bawdy puns was omitted from "Brush Up Your Shakespeare". Originally filmed in 3D which is why the actors often throw things (including themselves) at the audience. | ||
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