Ziegfeld Follies (1946) |
||
|
|
||
Ziegfeld Follies Cast |
||
|
||
On-Screen Couples |
||
Fred Astaire
(as Fred Astaire | Raffles | Tai Long | Gentleman in 'The Babbit and the Bromide')
with Cyd Charisse
(as Dance Specialty)
|
||
Movie Highlights |
||
Other InformationAwardsBest Musical Comedy Original award name: `Prix du meilleure comédie musicale`. Cannes Film Festival [1947] (Won/Nominated: Won) Plot SummaryThe presence of William Powell as legendary showman Flo Ziegfeld at the beginning of Ziegfeld Follies might lead an impressionable viewer from thinking that this 1946 film is a Technicolor sequel to the 1936 Oscar-winning The Great Ziegfeld. Not so: ... DiscographySinglesKnocked `Em In the Old Kent Road (Wot` Cher!) There`s Beauty Ev`rywhere The Babbitt and the Bromide A Great Lady Has An Interview (Madame Crematante) Limehouse Blues Love This Heart of Mine Libiamo ne`lieti calici (La Traviata) Bring on the Wonderful Men Here`s to the Girls |
||
Full Cast and Crew |
||
Actor CreditsNon Actor Credits |
||
Snapshot |
||||||||||||
|
||||||||||||
Photo Gallery |
||
|
|
||
Fans |
||
|
Ziegfeld Follies has no fans yet!
|
||
Trivia |
||
Trivia and QuotesQuotes Chorus: [sings] This is the mixture to start the picture / So bring on those beautiful girls. [last lines]
`Beauty` Number: [sings] And then someone comes into view / And suddenly you find it`s true / That love is beauty too.
Fred Astaire: Hello.
Gene Kelly: How are you?
Fred Astaire: How`s that folks?
Gene Kelly: What`s new?
Fred Astaire: I`m great.
Gene Kelly: That`s good.
Fred Astaire: Ha-ha!
Gene Kelly: Knock wood.
Fred Astaire: Well, well.
Gene Kelly: That`s life.
Fred Astaire: What do you know?
Gene Kelly: How`s the wife?
Fred Astaire: Gotta run.
Gene Kelly: Oh, my.
Fred Astaire: Ta-ta.
Gene Kelly: Olive oil.
Gene Kelly, Fred Astaire: Bye, bye. `Love` Number: [sings] Love can be a cup of sorrow, Love can be a lie. / Love can make you wake tomorrow and sigh. Lawyer`s Client: [to the Lawyer] For goodness sake, will you pay him the two dollars. Number Please Telephone Operator: Number, please? Fred Astaire: [sings] This is the mixture to start the picture / So bring on those beautiful girls. [first lines]
Florenz Ziegfeld Jr.: Ah... Saturday, September twenty fifth. Another heavenly day. Ah, yes. Always a heavenly day. Fred Astaire: I`m sorry, I can`t quite place you. What line of business are you in?
Gene Kelly: Well, I dance.
Fred Astaire: Oh, at home, for the folks? Picnics and that kind of thing?
Gene Kelly: Oh, no, no. In public.
Fred Astaire: On street corners?
Gene Kelly: Oh, no. On the screen. Motion pictures! You do go to pictures that have dancing in them, don`t you?
Fred Astaire: I try to see them all.
Gene Kelly: Did you see a picture called "Cover Girl"?
Fred Astaire: Yes.
Gene Kelly: Well, who did all the dancing in that?
Fred Astaire: You`re not Rita Hayworth?
Gene Kelly: No I`m not... Ginger. Almost any man I see is the only man for me Bring on the wonderful men, bring me an elegant guy, a solider or tailor,a Gable or a Taylor
And then someone comes into view / And suddenly you find it`s true / That love is beauty too. Love can be a cup of sorrow, Love can be a lie. / Love can make you wake tomorrow and sigh. Here`s to the beautiful ladies / Here`s to those wonderful girls / Adele`s and Molly`s, Lucille`s and Polly`s / You`ll find them all at the Ziegfeld Follies. Children play with the dreams of tomorrow. And old men play with the memories of yesterdayTrivia The machine producing the bubbles for the finale was responsible for one of the greatest filming fiascoes in movie history. On the first day of filming the finale, the gas produced by the bubbles caused Vincente Minnelli`s cameraman to faint, on top of a forty foot lift. While Minnelli struggled to stop his cameraman from falling, the bubbles continued to pour from the machine to such an extent that the fire brigade was called to turn it off. Even with the machine under control, the gas from the bubbles was a constant hazard. James Melton filmed with a wet handkerchief in his mouth to protect himself! Among the ideas planned in the film, but not used, included: - A spoof of the musical "Lady in the Dark" with Judy Garland, Mickey Rooney and Fred Astaire. - A minstrel number with Garland, Rooney, Astaire, Lou Holtz and Nancy Walker. - An "Album of Familiar Songs" medley with Garland, Marilyn Maxwell, Eddie `Rochester` Anderson, Lena Horne, and Kathryn Grayson. - A "Firehouse Chat," a sketch with Garland, Lucille Ball and Ann Sothern. - "Reading of the Play," a sketch with Garland and Frank Morgan. - "It`s Getting Hot in Tahiti" (music and lyrics by Hugh Martin and Ralph Blane) with Garland. - A "Fairy Tale" sketch with Katharine Hepburn, Margaret O`Brien and Jackie `Butch` Jenkins. - "I`ve Got Those Rooney/Pidgeon/Skelton Blues" with Garland, Ball and Greer Garson (in a number they`d concocted on a war bond train) moaning about their frequent co-stars. - "Pass That Peace Pipe" (music and lyrics by Martin, Blane and Roger Edens) with Garland, Rooney, Ball, Walker, June Allyson, Gene Kelly and Charles Walters (The song was later given to Joan McCracken by Walters when he directed Good News (1947).) - "Sand," a sketch with Garland and Astaire in blackface. - "Children`s Park" with various MGM stars (including Hepburn, Garland, Walter Pidgeon, Basil Rathbone, Tom Drake and Esther Williams) riding on swings. - "I Love You More In Technicolor Than I Do In Black and White" (music and lyrics by Martin and Blane) with Garland turning down dates from John Hodiak, Van Johnson and James Craig to rekindle with Rooney. (This routine had to be dropped when Rooney entered the Army.) - James Melton suggested he should do a number with either Garland or Grayson. Fanny Brice`s material in this picture had originated on stage and radio. "The Sweepstakes Ticket" was a Brice highlight during the Broadway run of "The Ziegfeld Follies of 1936." The second movie sketch, "Baby Snooks and the Burglar" (footage deleted and now lost), already had been performed on radio by Fanny as the precocious Snooks, with Hanley Stafford as her exasperated Daddy. The "Sweepstakes" routine marks Fanny`s last film appearance. At the beginning of the "Bring On The Beautiful Girls" number several older women are shown. These were women who had actually appeared in the original Ziegfeld Follies on stage. Although Kathryn Grayson would replaced James Melton in the finale, Victor Records issued, more than a year before the film`s Manhattan debut, a commercial disc of Mr. Melton singing the closing number, "There`s Beauty Everywhere" (music by Harry Warren, lyrics by Arthur Freed). Judy Garland`s number, "A Great Lady Has an Interview" (music and lyrics by Roger Edens and Kay Thompson, choreography by Charles Walters), originally was offered to Greer Garson as spoof of her high-toned Mrs. Miniver/Madame Curie image. When the songwriters demonstrated this change-of-pace routine at the home of Greer and her then-husband Richard Ney, the couple felt less than flattered and jointly rejected the proposal.
Lena Horne hated the ghetto setting for Hugh Martin and Ralph Blane`s "Love" so much that she refused to make a commercial single, although she would use the song in her nightclub act several years later. Moreover, Miss Horne would supply her vocal intensity to a trio of renditions on LP: "Give the Lady What She Wants" (RCA Victor, 1958, reissued on a 2004 Japanese CD by BMG), sung to a samba rhythm arranged and conducted by her husband Lennie Hayton; "Lena Horne Sings Your Requests" (Charter/MGM Records, 1963, updated to CD in 1992 by the DRG label), this time the ditty propelled by a swinging tempo arranged and conducted by Marty Paich; then live as part of her legendary, Tony Award-winning performance in "Lena Horne: The Lady and Her Music," which played on Broadway at the Nederlander Theatre between May 12, 1981 and June 30, 1982 (Qwest/Warner Bros. LP, 1981, Qwest/WEA CD, 1995, conducted by Linda Twine, produced by Quincy Jones). Exactly a year prior to the film`s premiere in Manhattan, Decca Records released a Judy Garland 78 containing two songs from the score not performed by her in the movie: "Love" (music and lyrics by Hugh Martin and Ralph Blane), a fervent air which Judy sang on radio the twice in 1945, then occasionally in her 1951-52 concerts as an encore, and two times on her CBS-TV series, "The Judy Garland Show" (1963): a duet with Lena Horne from the October 13, 1963 broadcast, and a solo version telecast on March 22, 1964. The Decca flip side was the radiant ballad, "This Heart of Mine" (music by Harry Warren and Arthur Freed). Judy`s two commercial cuts, arranged and conducted by Victor Young, recorded on January 26, 1945 and released on March 22 that year, along with an alternate take of "This Heart of Mine," have been presented on her CD box set from MCA, "The Complete Decca Masters (Plus)." About a year before the film`s Manhattan opening, Decca Records issued a disc of Fred Astaire singing and tapping to a spirited song which he had written for the picture, a number which wound up on the cutting-room floor - "If Swing Goes, I Go Too." On the flip side of the Decca 78, Mr. Astaire sang the romantic ballad which showcased him and Lucille Bremer in the movie, "This Heart of Mine" (music by Harry Warren, lyrics by Arthur Freed). Fred`s two Decca sides, with an orchestra directed by Al Sack, have been brought back on a French CD box set entitled "Songs & Pictures 1928-1944," released by EPM Music. Cut from the film: - Musical number: "If Swing Goes, I Go Too" (music and lyrics by Fred Astaire), directed by George Sidney, sung and danced by Fred Astaire, audio available on Rhino`s soundtrack CD and Warner Home Video`s DVD. - Musical/comedy number: "Start Off Each Day with a Song" (music and lyrics by Jimmy Durante), directed by Charles Walters, performed by Jimmy Durante. - Musical number: "A Cowboy`s Life," directed by Merrill Pye, sung by James Melton. - Musical number: "Liza" (music by George Gershwin, lyrics by Ira Gershwin), directed by Vincente Minnelli, sung by Avon Long and the MGM Studio Chorus to Lena Horne, audio available on Rhino`s soundtrack CD. - Comedy sketch: "Baby Snooks and the Burglar," directed by Roy Del Ruth, performed by Fanny Brice, Hanley Stafford and B.S. Pully. - Comedy sketch: "Death and Taxes," directed by Vincente Minnelli, performed by Jimmy Durante and Edward Arnold. - Musical number: "We Will Meet Again in Honolulu" (music by Nacio Herb Brown, lyrics by Arthur Freed), directed by Merrill Pye, sung by James Melton, audio available on Rhino`s CD and Warner Home Video`s DVD. The Esther Williams water ballet from this sequence was reset to an instrumental version of "This Heart of Mine" (music by Harry Warren, lyrics by Arthur Freed). - Musical number: "There`s Beauty Everywhere" (music by Harry Warren, lyrics by Arthur Freed), directed by Vincente Minnelli, sung by James Melton and the MGM Studio Chorus, danced by Fred Astaire, Lucille Bremer and Cyd Charisse, Melton`s audio available on Rhino`s soundtrack CD and Warner Home Video`s DVD. A segment with Miss Charisse and the "bubble girls" was retained in the revamped finale, which now featured Kathryn Grayson and the MGM Studio Chorus performing the vocal, Grayson`s audio available on Rhino`s soundtrack CD, and the revised scene available on Warner Home Video`s DVD. Original director George Sidney quit after one month of filming and was replaced by Vincente Minnelli. MGM gave this film a two-week test run at a famed legitimate showplace, the Colonial Theatre in Boston, Massachusetts, beginning August 13, 1945. Disappointed by the largely negative audience reaction, studio executives decided against quickly showing the movie nationwide, delaying its Manhattan premiere until March 22, 1946 and its general release until April 8 that year. Filmed between April 10 and August 18, 1944, with retakes plus additional segments shot on December 22, 1944 and then between January 25 and February 6, 1945, the movie finally had its official premiere at Manhattan`s Capitol Theatre on March 22, 1946. The idea for the film had been in discussion at MGM since 1939. "The Babbitt and the Bromide" was a sketch taken from the original score of the Broadway musical "Funny Face" and intended for Fred Astaire and Adele Astaire. One of only two films in which Gene Kelly and Fred Astaire danced together. The other was That`s Entertainment, Part II (1976). The horse ridden by Lucille Ball is the Lone Ranger`s Silver. The initial version previewed at the Fox Westwood Village Theatre in Los Angeles on November 1, 1944 ran almost three hours. Kathryn Grayson`s final B-Flat on "There`s Beauty Everywhere" was dubbed. Virginia O`Brien`s number was not originally part of the script, it was added after test audiences failed to respond to Lucille Ball`s whip. Producers felt there needed to be a comedic transition. Virginia O`Brien was pregnant during her filming. Her doctor had to check the horse to make sure it was safe for her to ride. | ||
Top Contributors |
||
|
Top editors for this profile:
|
||
Related Links |
||
|
||
Featured Titles |
||
Comments
Continue the Conversation