The Cell (2000) |
||
|
|
||
The Cell Cast |
||
|
||
Movie Highlights |
||
Full Cast and Crew |
||
Actor CreditsNon Actor Credits |
||
Awards |
||
The Cell (2000) was nominated for the following awards:
Young Artist Awards
1.
Young Artist Award
2001 Academy of Science Fiction, Fantasy & Horror Films, USAMTV Movie AwardsBlockbuster Entertainment Awards
8.
Blockbuster Entertainment Award
2001 |
||
Snapshot |
||||||||||||||
|
||||||||||||||
Photo Gallery |
||
|
|
||
Fans |
||
|
The Cell has no fans yet!
|
||
Trivia |
||
Quotes . Catharine Deane: Do you believe there is a part of yourself, deep inside in your mind, with things you don`t want other people to see? During a session when I`m inside, I get to see those things. Carl Stargher: And what world do you live in? Carl Stargher: Where do you come from? Carl Stargher: You can not kill me. Miriam: Did we go sailing?
Catharine Deane: Almost! Mocky-Lock showed up.
Miriam: [saying a nursery rhyme] Mocky-Lock is the boogeyman, Mocky-Lock wants me where I am!
Catharine Deane: Mocky-Lock is a pain in the ass. Catharine Deane: Hey you.
[pets young Carl`s horse]
Catharine Deane: You know, I know another little boy who has a horse. His name`s Edward. The boy, not the horse. Carl Stargher: Mares eat oats, and does eat oats, and little lambs eat ivy. A kid`ll eat ivy, too... wouldn`t you? Carl Stargher: Why are you here... don`t lie.
Catharine Deane: I came to help you.
Carl Stargher: Bitch, whore...
Catharine Deane: You sound like your father.
Carl Stargher: [in a monster`s voice] HE WAS NOTHING, HE IS NOTHING! Carl Stargher: Me-god boy! Boy me-god!Trivia In the scene where Catherine talks with Carl while he is "cleaning" his first victim, the scenery resembles the music video "Losing My Religion" by R.E.M.; that video was directed by this film`s director, Tarsem Singh. The scene where Peter Novak first enters the mind of Carl Stargher, and is confronted by three females with open mouths to the sky is based on the painting "Dawn" by Norwegian painter Odd Nerdrum. #
# The scene in which the horse is cut into segments suspended in glass cases is inspired by the work of British artist Damien Hirst (e.g., the installation "Some Comfort Gained from the Acceptance of the Inherent Lies in Everything"). The last scene of the film in the desert was originally an earlier scene in the film depicting another one of Catherine`s therapy sessions with Edward. Later when director Tarsem Singh decided the film needed closure on Edward`s story he had digital snow and cherry blossoms added to the scene to make it look like it was part of "Catherine`s world". Director Tarsem Singh asked Tara Subkoff during her interview if she could swim, to which she responded that she could and that she had been a lifeguard. It turned out that she could not go under water without holding her nose. Singh would have switched her role with Catherine Sutherland, but it was too late and there was not enough money or time to re-shoot.
The scene when Catherine Deane is chasing Carl through a stone hallway, right before she enters the room with the horse, is based on a painting by Swiss surrealist H.R. Giger called "Schacht".
| ||
Top Contributors |
||
|
Top editors for this profile:
|
||
Related Links |
||
|
||
Featured Titles |
||
Comments
Submit a Comment