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Peter Greenaway Welsh Director
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About
Peter Greenaway is a 81 year old Welsh Director born on 2nd April, 1942 in Newport, Gwent, Wales, UK. His zodiac sign is Aries
Peter Greenaway is a member of the following lists: English film directors, Commanders of the Order of the British Empire and 1942 births.
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Relationship Statistics
Type | Total | Longest | Average | Shortest |
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Married | 1 |
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Total | 1 | |
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Details
First Name |
Peter
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Middle Name |
John
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Last Name |
Greenaway
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Full Name at Birth |
Peter John Greenaway
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Alternative Name |
Peter Greenaway, Peter John Greenaway
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Birthday |
2nd April, 1942
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Birthplace |
Newport, Gwent, Wales, UK
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Build |
Average
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Eye Color |
Blue
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Hair Color |
Grey
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Distinctive Feature |
His films often feature strong, manipulative female characters..., The number 92 is prominent in his films: For example 92 'Falls' exist in "The Falls" (1980) and 92 suitcases belong to Tulse Luper..., His films usually contain scenes in hospitals, where characters are bedridden and immobile..., His films are usually about artists or designers..., His films often contain long tracking shots..., When he saw Ingmar Bergman's The Seventh Seal (1957) at age 16 he decided he wanted to be a film maker..., Films often feature real live or dead animals or decaying fruit..., Often frames his shots in the manner of the great Dutch painters like Vermeer..., Black clothing...
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Zodiac Sign |
Aries
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Sexuality |
Straight
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Ethnicity |
White
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Nationality |
Welsh
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Occupation Text |
Film Director, Writer, Painter, Lecturer, Museum Curater
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Occupation |
Director
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Music Genre (Text) |
Painter, Film Editor, Fearure Films, Novels, Short Films, Museum Curater, One-Man Shows
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Favorite People |
Saskia Boddeke (theater-director partner) (two children)
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Favorite Movies |
The Seventh Seal, by Ingmar Bergman
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Favorite Places |
Amsterdam, Netherlands, Paris, France
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Favorite Colors |
Black
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Peter Greenaway, CBE (born 5 April 1942 in Newport, Wales) is a British film director, screenwriter, and artist. His films are noted for the distinct influence of Renaissance and Baroque painting, and Flemish painting in particular. Common traits in his film are the scenic composition and illumination and the contrasts of costume and nudity, nature and architecture, furniture and people, sexual pleasure and painful death.
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