1894 - 1979
Arthur Fiedler American Conductor
10
Arthur Fiedler dating history
Relationships
Arthur Fiedler was previously married to Ellen Bottomley.
Arthur Fiedler was in a relationship with Jeanne Eagels (1921 - 1922).
About
American Conductor Arthur Fiedler was born on 17th December, 1894 in Boston, Massachusetts, USA and passed away on 10th Jul 1979 Boston, Massachusetts, USA aged 84. He is most remembered for Boston Pops Orchestra. His zodiac sign is Sagittarius.
Relationship Statistics
| Type | Total | Longest | Average | Shortest |
|---|
| Married | 1 |
34 years
|
-
|
-
|
|---|
| Dating | 1 |
1 year
|
-
|
-
|
|---|
| Total | 2 |
34 years
|
17 years, 6 months
|
1 year
|
|---|
Details
| First Name |
Arthur
|
| Last Name |
Fiedler
|
| Birthday |
17th December, 1894
|
| Birthplace |
Boston, Massachusetts, USA
|
| Died |
10th July, 1979
|
| Place of Death |
Boston, Massachusetts, USA
|
| Cause of Death |
Congestive Heart Failure
|
| Buried |
Saint Joseph Cemetery, West Roxbury, Suffolk County, Massachusetts, USA
|
| Build |
Average
|
| Hair Color |
Grey
|
| Zodiac Sign |
Sagittarius
|
| Ethnicity |
White
|
| Nationality |
American
|
| Occupation Text |
Conductor
|
| Occupation |
Conductor
|
| Claim to Fame |
Boston Pops Orchestra
|
| Music Genre |
Classical
|
| Year(s) Active |
1915–1979
|
| Music Style |
Classical Pop, Easy Listening, Orchestral Pop, Classical Crossover
|
| Music Mood |
Earnest, Elegant, Amiable/Good-Natured, Sentimental, Bright, Refined/Mannered, Lush, Soothing, Nostalgic, Bittersweet, Romantic, Reflective, Smooth, Theatrical, Rousing, Gentle, Dramatic
|
| Instrument |
Arranger
|
| Instrument (text) |
Violin, Piano, Percussion, Organ
|
Arthur Fiedler (December 17, 1894 – July 10, 1979) was an American conductor known for his association with the Boston Symphony and Boston Pops orchestras. With a combination of musicianship and showmanship, he made the Boston Pops one of the best-known orchestras in the United States. Fiedler was sometimes criticized for over-popularizing music, particularly when adapting popular songs or editing portions of the classical repertoire, but he kept performances informal and sometimes self-mocking to attract a bigger audience.
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