Amour (2012 film)
French release poster
|Directed by||Michael Haneke|
|Produced by||Margaret Ménégoz |
|Written by||Michael Haneke|
|Starring||Jean-Louis Trintignant |
|Editing by||Monika Willi|
France 3 Cinéma
Les Films du Losange
X-Filme Creative Pool
|Distributed by||Artificial Eye (UK) |
Sony Pictures Classics (US)
|Release date(s)|| |
|Running time||127 minutes|
Amour (pronounced: [a.muʁ]; French for "Love") is a 2012 French-language drama film written and directed by the Austrian filmmaker Michael Haneke, starring Jean-Louis Trintignant, Emmanuelle Riva and Isabelle Huppert. The narrative focuses on an elderly couple, Anne and Georges, who are retired music teachers with a daughter who lives abroad. Anne suffers a stroke which paralyses her on one side of her body. The film is a co-production between the French, German, and Austrian companies Les Films du Losange, X-Filme Creative Pool, and Wega Film.
The film was screened at the 2012 Cannes Film Festival, where it won the Palme d'Or. It won the Best Foreign Language Oscar at the 85th Academy Awards, and was nominated in four other categories: Best Picture, Best Actress in a Leading Role (Emmanuelle Riva), Best Original Screenplay (Michael Haneke) and Best Director (Michael Haneke). At the age of 85, Emmanuelle Riva is the oldest nominee for the Best Actress in a Leading Role.
At the 25th European Film Awards, it was nominated in six categories, winning in four, including Best Film and Best Director. At the 47th National Society of Film Critics Awards it won the awards for Best Film, Best Director and Best Actress. At the 66th British Academy Film Awards it was nominated in four categories, winning for Best Leading Actress and Best Film Not in the English Language. Emmanuelle Riva became the oldest person to win a BAFTA. At the 38th César Awards it was nominated in ten categories, winning in five, including Best Film, Best Director, Best Actor and Best Actress.
A brigade of firemen break down the door of an apartment in Paris to find the corpse of Anne (Emmanuelle Riva) lying on a bed, adorned with cut flowers.
Flashback several months. Anne and her husband Georges (Jean-Louis Trintignant), both retired piano teachers in their eighties, attend a performance by one of Anne's former pupils. The next morning while they are eating breakfast, Anne silently suffers a stroke. She sits in a catatonic state, not responding to Georges. She comes around as Georges is about to get help, but doesn't remember anything that took place. Georges thinks she was playing a prank on him. Anne is unable to pour herself a drink.
Anne undergoes surgery on a blocked carotid artery, but the surgery goes wrong, leaving her paralyzed on her right side and confined to a wheelchair. She makes Georges promise not to send her back to the hospital or into a nursing home. Georges becomes Anne's dutiful, though slightly irritated, caretaker. One day, Anne tells Georges that she doesn't want to go on living.
The pupil whose performance they attended stops by and Anne gets dressed up and carries on a lively conversation during the visit, giving Georges hope that her condition was temporary. However, she soon suffers a second stroke that leaves her demented and incapable of coherent speech. Georges continues to look after Anne, despite the strain it puts on him.
Georges begins employing a nurse three days a week. Their daughter, Eva (Isabelle Huppert), wants her mother to go into care, but Georges says he will not break the promise he made to his wife. He employs a second nurse, but fires her after he discovers she is mistreating his wife.
One day, Georges sits next to Anne's bedside and tells her a story of his childhood, which calms her. As he reaches the story's conclusion, he picks up a pillow and smothers her.
Georges returns home with bundles of flowers in his hands, which he proceeds to wash and cut. He picks out a dress from Anne's wardrobe and writes a long letter. He tapes the bedroom door shut and catches a pigeon which has flown in from the window. In the letter, Georges explains that he has released the pigeon. Georges imagines that Anne is washing dishes in the kitchen and, speechless, he gazes at her as she cleans up and prepares to leave the house. Anne calls for Georges to bring a coat, and he complies, following her out the door.
The film concludes with a continuation of the opening scene, with Eva seated in the living room, after she has wandered around the now-empty home.
- Jean-Louis Trintignant as Georges Laurent
- Emmanuelle Riva as Anne Laurent
- Isabelle Huppert as Eva Laurent
- Alexandre Tharaud as Alexandre
- William Shimell as Geoff
- Ramón Agirre as Concierge's husband
- Rita Blanco as Concierge
- Carole Franck as Nurse
- Dinara Droukarova as Nurse
- Laurent Capelluto as Police officer
- Jean-Michel Monroc as Police officer
- Suzanne Schmidt as Neighbor
- Walid Afkir as Paramedic
- Damien Jouillerot as Paramedic
The film was produced for €7,290,000 through France's Les Films du Losange, Germany's X-Filme Creative Pool and Austria's Wega Film. It received co-production support from France 3 and €404,000 in support from the Île-de-France region. Further funding was granted by the Medienboard Berlin-Brandenburg in Germany and National Center of Cinematography and the moving image in France. Principal photography took place from 7 February to 1 April 2011.
After 14 years, Jean-Louis Trintignant came back on screen for Haneke. Haneke had sent Trintignant the script, which had been written specifically for him. Trintignant said that he chooses which films he works in on the basis of the director, and said of Haneke that "he has the most complete mastery of the cinematic discipline, from technical aspects like sound and photography to the way he handles actors".
Critical reception 
The film has been met with acclaim from film critics. Review aggregation website Rotten Tomatoes gives the film a score of 93% based on 169 reviews, with an average rating of 8.7/10, while Metacritic gives a weighted average rating of 94 based on reviews from 41 critics, indicating "universal acclaim."
Writing for The Guardian after the Cannes screening, Peter Bradshaw said "this is film-making at the highest pitch of intelligence and insight", naming it the best film of 2012. Jamie Graham of Total Film gave Amour 5 stars out of 5, stating "far from being a cold, scientific study from a filmmaker frequently accused of placing a pane of glass between his work and his viewers, this sensitive film emerges heartfelt and humane." Dave Calhoun of Time Out London also gave the film 5 out of 5 stars, stating "Amour is devastatingly original and unflinching in the way it examines the effect of love on death, and vice versa". Calling Amour the best film of 2012, critic A. O. Scott of The New York Times said that "months after its debut at Cannes this film already feels permanent." Writing in The Times, critic Manohla Dargis hailed the film as "a masterpiece about life, death and everything in between." The newspaper flagged the film as a critics' pick. The Wall Street Journal's film critic Joe Morgenstern wrote of Amour: "Mr. Haneke's film, exquisitely photographed by Darius Khondji, has won all sorts of prizes all over the world, and no wonder; the performances alone set it off as a welcoming masterpiece."
Among the few negative reviews, Calum Marsh of the Slant Magazine indicated that the film "isn't the work of a newly moral or humanistic filmmaker, but another ruse by the same unscrupulous showman whose funny games have been beguiling us for years", adding that "Haneke's gaze, trained from an unbridgeable remove, carries no inflection of empathy; his style is too frigid, his investment too remote, for the world of these characters to open up before us, for their pain to ever feel like something more than functional."
Best of 2012 
See also 
- Isabelle Huppert filmography
- List of submissions to the 85th Academy Awards for Best Foreign Language Film
- List of Austrian submissions for the Academy Award for Best Foreign Language Film
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- Official website
- Amour at the Internet Movie Database
- Amour at AllRovi
- Amour at Box Office Mojo
- Amour at Rotten Tomatoes
- Amour at Metacritic