Bob & Carol & Ted & Alice
|Bob & Carol & Ted & Alice|
original film poster
|Directed by||Paul Mazursky|
|Produced by||Larry Tucker|
|Written by||Paul Mazursky |
|Starring||Natalie Wood |
|Music by||Score: |
Burt Bacharach (music)
Hal David (lyrics)
|Editing by||Stuart H. Pappe|
|Distributed by||Columbia Pictures|
|Release dates|| |
|Running time||101 minutes|
Bob & Carol & Ted & Alice is a 1969 comedy-drama film directed by Paul Mazursky. It stars Natalie Wood, Robert Culp, Elliott Gould and Dyan Cannon. The screenplay was written by Paul Mazursky and Larry Tucker, who also produced the film. The original music score was composed by Quincy Jones, and featured Jackie DeShannon performing Burt Bacharach and Hal David's "What the World Needs Now Is Love" and Sarah Vaughan performing "I know that my Redeemer liveth" from Part III of Handel's Messiah. The cinematography for the film was by Charles Lang.
The film received four Academy Award nominations, including ones for Gould and Cannon.
After a weekend of emotional honesty at an Esalen-style retreat, Los Angeles sophisticates Bob and Carol Sanders (played by Robert Culp and Natalie Wood) return to their life determined to embrace complete openness. Soon after, Bob has an affair with a young, blonde production assistant on a film shoot in San Francisco. He admits this to Carol after arriving home, describing the event as a purely physical act, not an emotional one. To Bob's surprise, Carol is completely accepting of this. Later, Carol gleefully reveals the affair to their close friends Ted and Alice Henderson (Elliott Gould and Dyan Cannon) as they are leaving a dinner party. Alice is particularly disturbed by the information, becoming physically ill on the drive home. She and Ted have a hard time coping with the news in bed later that evening. However, as time passes, they grow to accept that Bob and Carol really are fine with the affair. Later, Ted admits to Bob that he was tempted to have an affair once, but never went through with it; Bob tells Ted he should, rationalizing: "You've got the guilt anyway. Don't waste it."
While in San Francisco, Bob decides to skip another encounter with the blonde woman, and instead returns home a day earlier than expected. When he arrives, he finds that Carol is having an affair of her own, with her tennis instructor. Although initially outraged, Bob quickly realizes that, like his own affair, the encounter was purely physical. Bob settles down, and even shares a drink and conversation with the tennis instructor.
When the two couples travel together to Las Vegas, Bob and Carol reveal Carol's affair to Ted and Alice. Ted then admits to an affair on a recent business trip to Miami. An outraged Alice demands that this new ethos be taken to its obvious conclusion: a mate-sharing foursome. Ted is reluctant, explaining that he loves Carol "like a sister", but eventually acknowledges that he finds her attractive. After discussing it, all four remove their clothes and climb into bed together. Swapping partners, Bob and Alice kiss fervently, as do Ted and Carol; however, after a few moments, all four simply stop. The scene cuts to the couples walking to the elevator, riding it down, and walking out of the casino hand-in-hand with their original partners. The movie closes with a large crowd forming in the casino parking lot, where the four main characters exchange long stares with each other and with strangers, reminiscent of the non-verbal communication shown in the early scene at the retreat.
Bob & Carol & Ted & Alice became the signature film for Paul Mazursky and was a critical and commercial success. It was the fifth highest grossing film of 1969. After this film's release, it led to other movies dealing with wife swapping, infidelity, and other types of experimentation with interpersonal relationships inside American society. Mazursky himself would do a few more stories set in California, including Alex in Wonderland and Down and Out in Beverly Hills.
Writing in The New Yorker the film critic Pauline Kael praised both the film and director Mazursky, calling it "a slick, whorey movie, and the liveliest American comedy so far this year. Mazursky, directing his first picture, has developed a style from satiric improvisational revue theatre—he and Tucker [co-writer] were part of the Second City troupe—and from TV situation comedy, and, with skill and wit, has made this mixture work—though it looks conventional, it isn't ".
Natalie Wood decided to gamble her $750,000 salary on a percentage of the gross, earning $5 million over the course of three years. She had deeply regretted declining a similar offer with the box office smash West Side Story.
Awards and honors
Bob & Carol & Ted & Alice was nominated for four 1969 Academy Awards, for Best Cinematography; Best Screenplay, and Best Supporting Actor and Actress for Gould and Cannon.
It received the 1969 New York Film Critics Awards for Best Supporting Actress (Cannon) and Best Screenplay and the 1969 Writers Guild of America Award for Best-Written American Comedy Written Directly for the Screen.
A sitcom based on the film appeared on ABC during the 1973–74 season, starring Anita Gillette, Robert Urich, David Spielberg, and Anne Archer. A 10-year-old Jodie Foster also appeared as Ted and Alice's daughter.
Because of the overt sexual nature of the film – when it was released it was rated R – much of the humor could not be translated into a network TV project. Thus the characters needed to be substantially "toned down", losing much of the film's edge. The series did poorly and was canceled after only one season.
- "Box Office Information for Bob & Carol & Ted & Alice". The Numbers. Retrieved February 26, 2012.
- Deeper Into Movies, pp. 10, 13, Pauline Kael, ISBN 0-7145-0941-8.
- "Awards" on TCM.com
- Lucia Bozzola, All Movie Guide
- Bob & Carol & Ted & Alice at the Internet Movie Database
- Bob & Carol & Ted & Alice at the TCM Movie Database
- Bob & Carol & Ted & Alice at allmovie