Theatrical release poster
|Directed by||Martin Ritt|
|Produced by||Irving Ravetch |
|Written by||Irving Ravetch |
Harriet Frank Jr.
|Starring||Paul Newman |
|Music by||David Rose|
|Cinematography||James Wong Howe|
|Editing by||Frank Bracht|
|Distributed by||20th Century Fox|
|Release date(s)|| |
|Running time||111 minutes|
Hombre is a 1967 revisionist western film directed by Martin Ritt, based on the novel of the same name by Elmore Leonard and starring Paul Newman, Fredric March, Richard Boone, Martin Balsam, and Diane Cilento.
Newman's amount of dialogue in the film is minimal and much of the role is conveyed through mannerism and action. This was the sixth and final time Ritt directed Newman, they had previously worked together on The Long Hot Summer, Paris Blues, Hemingway's Adventures of a Young Man, Hud and The Outrage.
In late 19th-century Arizona, an Apache-raised white man, John Russell, faces prejudice in the white world after he returns for his inheritance (a gold watch and a boarding house) upon his father's death. Deciding to sell the house in order to buy a herd of horses—which does not endear him to the boarders who live there or to the caretaker, Jessie—Russell ends up riding a stagecoach with Jessie and unhappily married boarders Doris and Billy Lee Blake leaving town.
Three others ride with them: Indian agent Professor Alexander Favor, his aristocratic wife Audra and the crude Cicero Grimes. Upon discovering that John Russell is an Indian, Professor Favor requests that Russell ride up top with driver Henry Mendez.
The stagecoach is robbed by a gang led by Grimes, who knew that Dr. Favor had been carrying money that he stole from the very Apaches whom Russell grew up with. Grimes rides off, taking Mrs. Favor as a hostage.
Russell manages to shoot two of the outlaws—one of whom is Jessie's lover, sheriff-gone-bad Frank—who have the stolen money in their saddle bags. He insists that Dr. Favor give the recovered money back to him. The bigots he rode with now appeal to Russell to lead them to safety.
Russell's instincts to protect the group clash with their naive and "civilized" attitudes to save the Favors, especially when Grimes and his remaining gang offer to trade Mrs. Favor for the money. Their pity for Mrs. Favor's life eventually outweighs the knowledge that Grimes is using her to bait a trap. Russell gives the money to Billy Lee, asking him to take it back to the Indians from whom it was stolen. Russell descends from the group's hideout with saddle bags that he pretends are full of the money, while Billy Lee stays in the hideout and aims a rifle at one of the outlaws. Russell cuts Mrs Favor loose and she slowly makes her way up to the group, but by the time Russell throws the saddle bags to Grimes Mrs Favor has collapsed at a point where she is obscuring Billy Lee's target. In the ensuing firefight, although Russell is able to kill Grimes, Billy Lee is unable to prevent an outlaw shooting Russell dead.
- Paul Newman as John Russell
- Fredric March as Dr. Alex Favor
- Richard Boone as Cicero Grimes
- Diane Cilento as Jessie
- Cameron Mitchell as Frank Braden
- Barbara Rush as Audra Favor
- Peter Lazer as Billy Lee Blake
- Margaret Blye as Doris Blake
- Martin Balsam as Henry Mendez
- Skip Ward as Steve Early
- Frank Silvera as Mexican bandit
- David Canary as Lamar Dean
- Val Avery as Delgado
- Larry Ward as Soldier
Hombre is one of several films in the 1960s portraying the situation of the Native Americans in a different and more truthful way than what had previously been seen in westerns. The film shows the need for both Indian and non-Indian alike to cooperate with each other for mutual benefit. The subplot focuses on the hypocrisy and duality of respectable citizens.
The film earned $6.5 million in rentals in North America, making it one of the biggest hits of the year.
 Critical reaction
Most reviews of the film are positive. Critics praise the performance of Newman and the writing of Elmore Leonard. Film critic Roger Ebert, in a 1967 review, notes, "The performances are uniformly excellent. Three particularly pleasing ones, however, were from Diane Cilento, the boarding house operator who talks Hombre into his ethical heroics; Richard Boone as the villainous Cicero Grimes, and Martin Balsam, as the good Mexican. Ritt directs with a steady hand, and the dialog by Irving Ravetch and Harriet Frank bears listening to. It's intelligent, and has a certain grace as well. Last year, Richard Brooks' The Professionals was the best-directed film out of Hollywood, and this year it looks as if the honors may rest with Martin Ritt and Hombre." Ebert gave the film a rating of three and a half out of four possible stars in his review.
- Solomon, Aubrey. Twentieth Century Fox: A Corporate and Financial History (The Scarecrow Filmmakers Series). Lanham, Maryland: Scarecrow Press, 1989. ISBN 978-0-8108-4244-1. p255
- "Hombre, Box Office Information". The Numbers. Retrieved May 22, 2012.
- "Big Rental Films of 1967", Variety, 3 January 1968 p 25. Please note these figures refer to rentals accruing to the distributors.
- Ebert, Roger (1967-04-21). "Hombre Review". Chicago Sun-Times. Archived from the original on 2009-08-03. Retrieved 2009-08-03.
- "Hombre (1967)". Rotten Tomatoes. Retrieved 2009-08-03.