Once a Thief (1965 film)
|Once a Thief|
|Directed by||Ralph Nelson|
|Produced by||Jacques Bar|
|Written by||Zekial Marko|
|Starring||Alain Delon |
|Music by||Lalo Schifrin|
|Editing by||Fredric Steinkamp|
|Release dates|| |
|Running time||102 minutes|
|Country||United States |
Ex-convict Eddie Pedak (Delon) tries to lead a normal life in San Francisco with a loyal wife (Ann-Margret), a daughter and a steady job. Much to his chagrin, he also has a police detective (Heflin) and brother (Palance) complicating his life.
The cop, Mike Vido, remains bitter over being shot by Eddie during a robbery. He promptly has Eddie unjustly arrested again for another theft, but is forced to drop the charges and turn him loose.
Eddie nonetheless loses his job due to the arrest. His wife Kristine must take what work she can get at a dingy nightclub. In desperation, Eddie finally accepts the offer of his persistent brother Walter Pedak to come in on a big heist. Walter has a pair of accomplices, Sargatanas and Shoenstein.
The thieves get away with $1 million in stolen goods except for Walter, who is killed. Eddie alone has the truck with the heist's haul, so Sargatanas decides to abduct Kristine and keep her until he gets his hands on the merchandise.
Vido investigates and becomes convinced that Eddie was framed for the original job that left the cop wounded. When he arrives to help Eddie in a showdown with the other thieves, Eddie ends up dead trying to protect him.
- Alain Delon as Eddie Pedak
- Ann-Margret as Kristine Pedak
- Van Heflin as Inspector Mike Vido SFPD
- Jack Palance as Walter Pedak
- John Davis Chandler as Sargatanas
- Tony Musante as Shoenstein
- Jeff Corey as Lt. Kebner SFPD
- Steve Mitchell as Frank Kane
A.H. Weiler of The New York Times thought that the film was not as good as similar genre pictures, but praised its dialogue for its accuracy in portraying the gangster's speak.
|“||The melodrama may be tough, laconic and filled with a sense of doom, but it is hardly an innovation or an improvement on the gangster-with-a-heart-of-gold fare that has preceded it..... [The screenwriter] provided a generally terse, hard-bitten script whose language sounds like that used by the gunmen, narcotics addicts and hipsters of San Francisco's lower depths."||”|