The Reckless Moment

From Wikipedia, the free encyclopedia
Jump to: navigation, search
The Reckless Moment
The Reckless Moment.jpg
theatrical poster
Directed by Max Ophüls
Produced by Walter Wanger
Written by Elisabeth Sanxay Holding
Screenplay by Mel Dinelli
Robert E. Kent
Henry Garson
Robert Soderberg
Based on The Blank Wall (Ladies Home Journal)
Starring James Mason
Joan Bennett
Geraldine Brooks
Shepperd Strudwick
Music by Hans J. Salter
Cinematography Burnett Guffey
Editing by Gene Havlick
Distributed by Columbia Pictures
Release date(s) 17 October 1949 (US premiere)
29 December 1949 (US general release)
Running time 82 minutes
Country United States
Language English
Budget $882,653[1]
Box office $717,188[1]

The Reckless Moment (1949) is a film noir melodrama directed by Max Ophüls, produced by Walter Wanger, and released by Columbia Pictures with Burnett Guffey as cinematographer. Starring Joan Bennett and James Mason, the film is based on The Blank Wall (1947), a novel written by Elisabeth Sanxay Holding. The film The Deep End (2001) is based on the same story.

Contents

Plot [edit]

California housewife Lucia Harper (Joan Bennett) attempts to cover up what she believes (erroneously) to be her daughter's (Geraldine Brooks) accidental murder of an undesirable ex-lover (Shepperd Strudwick).

Martin Donnelly (James Mason), a clean-shaven smooth-talker involved in organized crime, tries to blackmail Lucia by threatening to take Bea and Darby's correspondence to the police. Complications arise when he realizes his true feelings for Lucia and discovers the truth.

Donnelly's associate Nagel (Roy Roberts), initially a mysterious figure, rows with his colleague, who murders him. Donnelly dies in a car crash with the corpse soon afterwards. Normalcy appears to return for Lucia.

Cast [edit]

Notes [edit]

This was Mason's third U.S. film, after having appeared in director Ophüls in Caught (released February 1949) then in Vincente Minnelli's Madame Bovary (released August 1949).

Reception [edit]

Bosley Crowther's New York Times 1949 review praised the actors but noted,

"But it isn't all right with this picture. Although it is rather well staged, with credible location settings in Balboa and Los Angeles, it is a feeble and listless drama with a shamelessly callous attitude. The heroine gets away with folly, but we don't think this picture will."[2]

The film made a loss of $565,775.[1]

References [edit]

  1. ^ a b c Matthew Bernstein, Walter Wagner: Hollywood Independent, Minnesota Press, 2000 p445
  2. ^ New York Times review

External links [edit]