Gary Cooper

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This article is about the film actor. For other uses, see Gary Cooper (disambiguation).
Gary Cooper

Promotional image for Meet John Doe (1941)
Born Frank James Cooper
(1901-05-07)May 7, 1901
Helena, Montana, U.S.
Died May 13, 1961(1961-05-13) (aged 60)
Los Angeles, California, U.S.
Cause of death Prostate cancer
Resting place Sacred Heart Cemetery, Southampton, New York
Nationality American
Education Dunstable Grammar School
Gallatin Valley High School
Alma mater Grinnell College
Occupation Actor
Years active 1925–1960
Political party Republican
Religion Roman Catholic
Spouse(s) Veronica Balfe (m. 1933 – 1961) «start: (1933)–end+1: (1962)»"Marriage: Veronica Balfe to Gary Cooper" Location: (linkback://en.wikipedia.org/wiki/Gary_Cooper)
Children 1

Gary Cooper (born Frank James Cooper; May 7, 1901 – May 13, 1961) was an American film actor.[1] Noted for his stoic, understated style, Cooper found success in a number of film genres, including westerns (High Noon), crime (City Streets), comedy (Mr. Deeds Goes to Town) and drama (The Pride of the Yankees). Cooper's career spanned from 1925 until shortly before his death, and comprised more than one hundred films.

Cooper received five Academy Award nominations for Best Actor, winning twice for Sergeant York and High Noon. He also received an Honorary Award in 1961 from the Academy.

Decades later, the American Film Institute named Cooper among the AFI's 100 Years... 100 Stars, ranking 11th among males from the Classical Hollywood cinema period. In 2003, his performances as Will Kane in High Noon, Lou Gehrig in The Pride of the Yankees, and Alvin York in Sergeant York made the AFI's 100 Years... 100 Heroes and Villains list, all of them as heroes.

Contents

[edit] Early life

Cooper was born in Helena, Montana, one of two sons of an English immigrant couple, Alice (née Brazier; 1873–1967) and Charles Henry Cooper (1865–1946). His father was a farmer from Houghton Regis, Bedfordshire, who later became an American lawyer and judge, and his mother was from Kent.[2] His mother hoped for their two sons to receive a better education than was available in Montana and arranged for the boys to attend Dunstable Grammar School[3] in Bedfordshire, England, between 1910 and 1913.[4][5] Following the outbreak of World War I, Cooper's mother brought her sons home and enrolled them at Gallatin Valley High School in Bozeman, Montana.[6]

When Cooper was 13, he injured his hip in a car accident. He returned to his parents' ranch near Helena to recuperate by horseback riding at the recommendation of his doctor. Cooper studied at Iowa's Grinnell College until the spring of 1924, but did not graduate. He had tried out, unsuccessfully, for the college's drama club.[7] He returned to Helena, managing the ranch and contributing cartoons to the local newspaper. In 1924, Cooper's father left the Montana Supreme Court bench and moved with his wife to Los Angeles. Their son, unable to make a living as an editorial cartoonist in Helena, joined them,[8] moving there that same year,[9] reasoning that he "would rather starve where it was warm, than to starve and freeze too."[7]

[edit] Career

Cooper in Mr. Deeds Goes to Town with Jean Arthur (1936)
Gary Cooper and Joan Fontaine holding their Oscars at an Academy Awards after party in 1942.

Unsuccessful as a salesman of electric signs and theatrical curtains, as a promoter for a local photographer and as an applicant for newspaper work in Los Angeles,[8] Cooper found work as an actor in 1925.[9] Beginning as an extra in the motion picture industry, usually being cast as a cowboy, he is known to have had an uncredited role in the Tom Mix Western Dick Turpin (1925).[10] The following year, he received a screen credit in a two-reeler, Lightnin' Wins, with actress Eileen Sedgwick as his leading lady.

After the release of this short film, Cooper accepted a long-term contract with Paramount. He changed his name to Gary in 1925, following the advice of casting director Nan Collins,[11] who felt it evoked the "rough, tough" nature of her native Gary, Indiana.[12]

"Coop," as he was called by his peers, went on to appear in over 100 films. With help from established silent star Clara Bow, Cooper broke through in a supporting role in the late silent Wings (1927), the first film to win an Academy Award for Best Picture, following it with Nevada (1927) co-starring Thelma Todd and William Powell, based on the Zane Gray novel. (This was remade as an early Robert Mitchum vehicle released in 1944, the only time Cooper and Mitchum played the same role.) Cooper became a major star with his first sound picture, The Virginian (1929) which features Walter Huston as the villainous Trampas. The Spoilers appeared the following year with Betty Compson (which was remade in 1942 with Marlene Dietrich, who resembled Compson, and John Wayne in Cooper's role). Cooper followed this action film with Morocco (1930), starring Dietrich, in which he played a Foreign Legionnaire. Devil and the Deep (1932) featured Cary Grant in a supporting role with Talullah Bankhead and Cooper in the leads alongside Charles Laughton. The following year, Cooper was the second lead in the sophisticated Ernst Lubitsch comedy production of Noël Coward's Design for Living. He was billed under Fredric March in the kind of fast-talking role Cooper never played again after Cary Grant staked out the light comedy leading man field with The Awful Truth four years later. The screen adaptation of A Farewell to Arms (1932), directed by Frank Borzage, and the title role in Frank Capra's Mr. Deeds Goes to Town (1936) furthered Cooper's box-office appeal.

Cooper was producer David O. Selznick's first choice for the role of Rhett Butler in Gone with the Wind.[13] (1939). When Cooper turned down the role, he was passionately against it. He is quoted as saying, "Gone with the Wind is going to be the biggest flop in Hollywood history. I’m glad it’ll be Clark Gable who’s falling flat on his nose, not me".[14][15] Alfred Hitchcock wanted him to star in Foreign Correspondent (1940) and Saboteur (1942). Cooper later admitted he had made a "mistake" in turning down the director. For the former film, Hitchcock cast look-alike Joel McCrea instead.

Cooper in Along Came Jones (1945)

Cooper cemented his cowboy credentials again in The Westerner (1940), with Walter Brennan as Judge Roy Bean, and followed that immediately afterward with the lavish North West Mounted Police (1940), directed by Cecil B. DeMille and featuring Paulette Goddard.

In 1942, Cooper won his first Academy Award for Best Actor for his performance as the title character in Sergeant York (1941). It has often been rumored that Alvin York refused to authorize a movie about his life unless Cooper portrayed him. Evidence has since surfaced that the film's producer, Jesse L. Lasky, sent a telegram pleading with Cooper to take the part and signed York's name to it. Meet John Doe had been released earlier in 1941, a great success under the direction of Frank Capra. Cooper worked with Ingrid Bergman in For Whom the Bell Tolls (1943), directed by Sam Wood and based on a novel by Cooper's close friend Ernest Hemingway; they spent many vacations in Sun Valley, Idaho together. A Western comedy lampooning his hesitant speech and mannerisms and his own image in general followed called Along Came Jones (1945) in which he relied on gunslinging Loretta Young to save him. Cooper also starred with Patricia Neal in the original screen adaptation of the Ayn Rand novel The Fountainhead (1949).

Gary Cooper in Vera Cruz (1954)

Cooper won his second Best Actor Academy Award for his performance as Marshal Will Kane in High Noon (1952), sometimes thought his finest role. Ill with an ulcer and busy filming Blowing Wild (1953) in Mexico, he wasn't present to receive his Academy Award in February 1953. He asked John Wayne to accept it on his behalf, a bit of irony in light of Wayne's stated distaste for the film.[16] The following year Cooper was filmed reading the list of nominees for the Best Actress award which went to Audrey Hepburn.

Cooper continued to play the lead in films almost to the end of his life. Among his later box office hits were the stark Western adventure Garden of Evil (1954) with Susan Hayward and Richard Widmark; Vera Cruz (1954), an extremely influential Western in which he guns down villain Burt Lancaster in a showdown; his portrayal of a Quaker farmer during the American Civil War in William Wyler's Friendly Persuasion (1956); Billy Wilder's Love in the Afternoon (1957) with Audrey Hepburn; and Anthony Mann's Man of the West (1958), a hard-edged action Western with Lee J. Cobb. His final motion picture was a British film, The Naked Edge (1961), made in London in the autumn of 1960. His final project was narrating an NBC documentary, The Real West, in which he helped clear up myths about legendary Western figures.

[edit] Personal life

[edit] Religion

In the 1950s Cooper was slowly drawn to Catholicism[N 1] and was baptized a Catholic in 1958.

[edit] Family and relationships

Cooper had several high-profile relationships with actresses Clara Bow, Lupe Vélez and the American-born socialite-spy Countess Carla Dentice di Frasso (née Dorothy Caldwell Taylor, formerly wife of British pioneer aviator Claude Grahame-White).[18]

Una Merkel (right) with Phyllis Brooks and Gary Cooper at a Brisbane press conference on their way to entertain the troops (1943)
Cooper won an Academy Award for High Noon (1952), and the film is widely considered a classic.

On December 15, 1933, Cooper married Veronica Balfe, known as 'Rocky'. Balfe was a New York Roman Catholic socialite who had briefly acted under the name of Sandra Shaw. She appeared in the film No Other Woman, but her most widely seen role was in King Kong (1933), as the woman dropped by Kong. Her third and final film was Blood Money (also 1933). Her stepfather was governor of the New York Stock Exchange, and her uncle was motion-picture art director Cedric Gibbons. During the 1930s she also became the California state women's skeet shooting champion. Cooper and Balfe had one child, Maria in 1937. Maria later married classical pianist Byron Janis.

After Cooper was married, but prior to his conversion to Catholicism, he had extramarital affairs with several famous co-stars, including Marlene Dietrich, Grace Kelly and Patricia Neal.[19] Cooper and Neal began their affair after meeting on the set of The Fountainhead. The relationship eventually became an open secret in Hollywood. Cooper's wife, Rocky, confronted him with the rumors which he admitted were true and also confessed that he was in love with Neal. Rocky later told the couple's daughter Maria of the affair who blamed Neal. The next time Maria saw Neal, she angrily spat on the ground in front of Neal. Cooper and his wife kept up a front of a happy marriage but Cooper continued to see Neal.[20] In 1950, Neal discovered she was pregnant. Cooper arranged and paid for her to have an abortion to avoid the public scandal of having a child out of wedlock.[20] Cooper and his wife separated that same year. Cooper and Neal continued to see each other, but Cooper was hesitant to divorce Rocky fearing he would lose the respect of his daughter, Maria.[21] Neal finally ended the affair in late 1951.[20] However Cooper would not reunite with his wife until 1954. A year later he had an affair with Anita Ekberg.

[edit] Politics and appearances before Congress

Cooper was a staunch supporter of the Republican Party. He voted for Calvin Coolidge in 1924 and Herbert Hoover in 1928 and 1932. He campaigned for Wendell Willkie in 1940, and heavily campaigned for Thomas Dewey in 1944.[22]

In 1944, Cooper joined the anti-communist Motion Picture Alliance for the Preservation of American Ideals. While filming Good Sam, he testified before the House Committee on Un-American Activities on October 23, 1947, characterized as a "friendly" witness. Asked if he had observed "communistic influence in Hollywood", Cooper named no one in particular but said he had "turned down quite a few scripts because I thought they were tinged with communistic ideas";[9] he also said he had heard statements such as "don't you think the Constitution of the United States is about 150 years out of date?" and "perhaps this would be a more efficient government without a Congress"— statements he characterized as "very un-American". He also told the committee the following:

"Several years ago, when communism was more of a social chit-chatter in parties for offices, and so on when communism didn't have the implications that it has now, discussion of communism was more open and I remember hearing statements from some folks to the effect that the communistic system had a great many features that were desirable. It offered the actors and artists — in other words, the creative people — a special place in government where we would be somewhat immune from the ordinary leveling of income. And as I remember, some actor's name was mentioned to me who had a house in Moscow which was very large — he had three cars, and stuff, with his house being quite a bit larger than my house in Beverly Hills at the time — and it looked to me like a pretty phony come-on to us in the picture business. From that time on, I could never take any of this pinko mouthing very seriously, because I didn't feel it was on the level."[9]

Cooper's testimony occurred a month before the Hollywood blacklist was established. Other members of the Motion Picture Alliance for the Preservation of American Ideals included Clark Gable, Ginger Rogers, Victor Fleming, Ronald Reagan, and Barbara Stanwyck among many others.

[edit] Death

In April 1960, Cooper underwent surgery for prostate cancer after it had spread to his colon. It spread to his lungs and bones shortly thereafter. However Cooper was not informed his cancer was terminal until February 1961.[23]

Cooper was too ill to attend the Academy Awards ceremony in April 1961, so his close friend James Stewart accepted the honorary Oscar on his behalf. Stewart's emotional speech hinted that something was seriously wrong, and the next day newspapers ran the headline, "Gary Cooper has cancer". One month later, on May 13, 1961, six days after his 60th birthday, Cooper died.[24]

Cooper was originally interred in Holy Cross Catholic Cemetery in Culver City, California. In May 1974 his body was removed from the Grotto Section of Holy Cross Cemetery, when his widow Veronica remarried and moved to New York, and she had Cooper's body exhumed and reburied in Sacred Heart Cemetery, in Southampton, New York, on Long Island.[25][26] Veronica "Rocky" Cooper-Converse died in 2000 and was buried near Cooper at Sacred Heart Cemetery.

[edit] Legacy

For his contribution to the film industry, Cooper has a star on the Hollywood Walk of Fame at 6243 Hollywood Blvd.

In 1966, Cooper was inducted into the Western Performers Hall of Fame at the National Cowboy & Western Heritage Museum in Oklahoma City, Oklahoma. In September 2009, Cooper was featured on a commemorative U.S. postage stamp.[27]

[edit] Filmography

Further information: Gary Cooper filmography

[edit] References

[edit] Notes

  1. ^ "In the mid to late fifties, my father's conversion to Catholicism started silently. He never discussed much about it but simply started joining us for Mass more often ... My father was still well at the time of his becoming a Catholic. His reasons for converting are his to know. He did say to [his friend Ernest] Hemingway toward the end, 'You know, that decision I made was the right one'."[17]

[edit] Citations

  1. ^ "Gary Cooper Obituary." Variety, May 17, 1961
  2. ^ Arce 1979, pp. 17–18.
  3. ^ Benson 1986, pp. 191–195.
  4. ^ "125 Montana Newsmakers: Gary Cooper." Great Falls Tribune, August 28, 2011. Retrieved: November 18, 2011.
  5. ^ "Gary Cooper Biography (1901-1961)." FilmReference.com. Retrieved: September 3, 2011.
  6. ^ Swindell 1980, p. 33.
  7. ^ a b Current Biography 1941, pp. 170–171.
  8. ^ a b Arce 1979, pp. 22–23.
  9. ^ a b c d "Actor Gary Cooper: Testimony to House Un-American Activities Committee." CNN for the Peabody Award-winning 1998 documentary Cold War. Retrieved: November 18, 2011.
  10. ^ Gary Cooper at the Internet Movie Database
  11. ^ "Gary Cooper Profile." Turner Classic Movies. Retrieved: August 6, 2011.
  12. ^ Arce 1979, p. 25.
  13. ^ Selznick 2000, pp. 172–173.
  14. ^ "Biography: Gary Cooper." GoneMovie. Retrieved: November 18, 2011.
  15. ^ Donnelley 2003, pp. 279–280.
  16. ^ Arce 1979, p. 252.
  17. ^ Janis 1999, p. 160.
  18. ^ Swindell 1980, pp. 104–105.
  19. ^ Shearer 2006, p. 123.
  20. ^ a b c Shearer 2006, pp. 88–89.
  21. ^ Shearer 2006, pp. 114, 122.
  22. ^ Meyer 1998, p. 202.
  23. ^ Arce 1979, p. 274.
  24. ^ Arce 1979, p. 282.
  25. ^ Janis 1999, p. 167.
  26. ^ "Gary Cooper". Find a Grave. http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&GRid=227. Retrieved March 3, 2013.
  27. ^ "Postal Service Previews 2009." Commemorative Stamp Program. Retrieved: November 18, 2011.

[edit] Bibliography

  • Arce, Hector. Gary Cooper: An Intimate Biography. New York: Bantam Books, 1980, First edition 1979. ISBN 978-0-553-14130-6.
  • Benson, Nigel. Dunstable in Detail. Dunstable, UK: The Book Castle, 1986. ISBN 978-0-950-97732-4.
  • Donnelley, Paul. Fade To Black: A Book Of Movie Obituaries, 2nd Edition. London: Omnibus Press, 2005, First edition 2003. ISBN 978-1-84449-430-9.
  • Janis, Maria Cooper. Gary Cooper Off Camera: A Daughter Remembers. New York: Harry N. Abrams, Inc., 1999. ISBN 978-0-8109-4130-4.
  • Meyer, Jeffrey. Gary Cooper: American Hero. New York: William Morrow, 1998. ISBN 978-0-688-15494-3.
  • Rogers, Ginger. Ginger: My Story. New York: Harper Collins, 1991. ISBN 978-0-06-156470-3.
  • Selznick, David O. Memo from David O. Selznick. New York: Modern Library, 2000. ISBN 0-375-75531-4.
  • Shearer, Stephen Michael. Patricia Neal: An Unquiet Life. Lexington, Kentucky: The University Press of Kentucky, 2006. ISBN 978-0-8131-2391-2.
  • Swindell, Larry. The Last Hero: A Biography of Gary Cooper. New York: Doubleday, 1980. ISBN 0-385-14316-8.

[edit] External links

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