""Before that there was Sue Murray, then a model, now a highly accomplished portrait painter in Boston, Massachusetts. He left Murray (now Susan Murray-Stokes) for Deneuve. Bailey uncharacteristically suggests he "treated Sue quite badly". "At the time," Murray-Stokes tells me, "I was a lost individual who had come from a convent in a remote part of India. I hadn't a clue about the modern world. I admit he wasn't the best person to introduce me to it." In the studio, she says, "he could cause tears" (Bailey says he doesn't recall doing so, to any model), "but after work he was fine: sweet, and full of humour". As for his treatment of her: "It's true that he left me for Catherine Deneuve and got someone else to tell me. I can't remember being surprised: he didn't give the impression of someone who would be faithful." Later, she says, "I foolishly got involved with him again." They travelled to Katmandu, where "we tried the local bangh [traditional cannabis-based beverage]. One other time I gave him cake with the same substance in it. He had great trouble trying to park, because the nose of his car was waving in all directions. "It was fine," Murray-Stokes adds, "that it worked out the way it did. I was young, unformed and I had to find myself. I could never have made his life my life. I owe him a great deal.""