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Gloria seemed to gravitate toward men who were good-natured, funny, smart, and supportive—often men with whom she worked. When she started as a writer at Esquire in the early '60s, she had a romance with the magazine's art director, Robert Benton. "We spent our time thinking about movie scripts we were going to write together," she recalls. (Benton, of course, later co-wrote the screenplay for Bonnie and Clyde, and went on to become a celebrated writer and director. He and Gloria are still friends.)