Phyllis Yes American Artist
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Phyllis Yes is a member of the following lists: Feminist artists, 1941 births and Contemporary artists.
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Details
| Birthday |
30th November, 1940
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| Birthplace |
Red Wing, Minnesota, United States
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| Nationality |
American
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| Occupation |
Artist
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| Official Websites |
http://legacy.lclark.edu/~yes/, /w/index.php?title=Template:Articles_for_creation/Phyllis_Yes&action=edit&redlink=1, /w/index.php?title=Template_talk:Articles_for_creation/Phyllis_Yes&action=edit&redlink=1, //en.wikipedia.org/w/index.php?title=Template:Articles_for_creation/Phyllis_Yes&action=edit
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Phyllis Yes (born 1941) is an Oregon-based artist and playwright. Her artistic media range from works on painted canvas to furniture, clothing, and jewelry. She is known for her works that “feminize” objects usually associated with a stereotypically male domain, such as machine guns, hard hats, and hammers. Among her best-known artworks are “Paint Can with Brush,” which appears in Tools as Art, a book about the Hechinger Collection, published in 1996 and her epaulette jewelry, which applies “feminine” lace details to the epaulette, a shoulder adornment that traditionally symbolizes military prowess. In 1984 she produced her controversial and widely noted “Por She,” a silver 1967 Porsche 911-S, whose body she painstakingly painted in highly tactile pink and flesh-toned lace rosettes. She exhibited it at the Bernice Steinbaum Gallery in New York in 1984 and drove it across the United States as a traveling exhibition in 1985. In 2016, she wrote her first play, Good Morning Miss America, which began its first theatrical run at CoHo Theatre in Portland, Oregon in March 2018.
