1843 - 1929
William A. Huntley American Composer
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William A. Huntley is a member of the following lists: People from Providence, Rhode Island, American banjoists and 1929 deaths.
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Details
| Alternative Name |
William A. Huntley, Billy Huntley
|
| Birthday |
30th November, 1842
|
| Birthplace |
Providence, Rhode Island
|
| Died |
1929
|
| Place of Death |
Providence, Rhode Island
|
| Nationality |
American
|
| Occupation Text |
performer music teacher, composer
|
| Occupation |
Composer
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| Music Genre (Text) |
parlor music, classic-banjo instrumentals
|
| Year(s) Active |
1860–1893
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| Instrument (text) |
5-string banjo, piano, vocalist
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| Associated Acts |
1860 Mead's Euterpean Minstrels, c. Oct 1870-Jan 1871 Campbell and Huntley's Minstrels, 1871 solo performances for two weeks, 1871 Lauri English Pantomime Troupe, 1871-1874 Martinetti French Ravel Pantomime Company, 1873 Rogers and McKee Minstrels, 1874 Huntley's Minstrels, 1874-1880 solo performances variety theaters, 1880 J. H. Haverly's Mastodon Minstrels, 1881-1884 Whitmore and Clark's Minstrels, c. 1884-1887 John H. Lee, 1884-1893 independent performances, teaching
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William A. Penno (1843–1929), known by his stage name William A. Huntley, was a composer, music teacher, and vocal and instrumental performer in minstrel and vaudeville traditions. Playing his 5-string banjo before crowds that came to number in the low thousands, he sang in a high tenor and played his banjo bare fingered, picking the strings in a style today named "classic banjo." His published compositions include banjo instrumentals and parlor music. Huntley spent his working life performing and teaching in the off season. He performed throughout the United States and toured Europe as a part of several different minstrel groups. A highlight of his performing career was to play before the Prince and Princess of Wales, about 1880 at Her Majesty's Theatre in London. He moved away from minstrel shows by the 1880s, and "took pride" that he could perform without blackface stage makeup. He focused on building respectability for the banjo, through teaching, composition, and performance recitals. He was featured in the S. S. Stewart Company's catalog (showing that art-banjo promoter Stewart recognized his talent) and began to play the company's banjeaurine. In 1888 he performed before a crowd of 2,000 people in his hometown, Providence, Rhode Island.
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