1834 - 1903
James Abbott McNeill Whistler American Painter
10
James Abbott McNeill Whistler dating history
Relationships
James Abbott McNeill Whistler was previously married to Beatrix Birnie Philip (1888 - 1896).
James Abbott McNeill Whistler was in relationships with Maud Franklin (1876 - 1888), Louisa Fanny Hanson (1869 - 1872) and Joanna Hiffernan.
About
James Abbott McNeill Whistler is a member of the following lists: People from Middlesex County, Massachusetts, American expatriates in the United Kingdom and American painters.
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Relationship Statistics
Type | Total | Longest | Average | Shortest |
---|
Married | 1 |
8 years
|
-
|
-
|
---|
Dating | 3 |
12 years
|
5 years
|
3 years
|
---|
Total | 4 |
12 years
|
5 years, 9 months
|
3 years
|
---|
Details
First Name |
James
|
Middle Name |
Abbott McNeill
|
Last Name |
Whistler
|
Full Name at Birth |
James Abbott McNeill Whistler
|
Alternative Name |
James Abbott McNeill Whistler, James Whistler
|
Birthday |
10th July, 1834
|
Birthplace |
Lowell, Massachusetts
|
Died |
17th July, 1903
|
Place of Death |
London, England, United Kingdom
|
Build |
Slim
|
Eye Color |
Blue
|
Hair Color |
Brown - Dark
|
Zodiac Sign |
Cancer
|
Sexuality |
Straight
|
Ethnicity |
White
|
Nationality |
American
|
Occupation |
Painter
|
James Abbott McNeill Whistler RBA (; July 11, 1834 – July 17, 1903) was an American artist active during the American Gilded Age and based primarily in the United Kingdom. He was averse to sentimentality and moral allusion in painting, and a leading proponent of the credo "art for art's sake". His signature for his paintings took the shape of a stylized butterfly possessing a long stinger for a tail. The symbol combined both aspects of his personality: his art is marked by a subtle delicacy, while his public persona was combative. He found a parallel between painting and music, and entitled many of his paintings "arrangements", "harmonies", and "nocturnes", emphasizing the primacy of tonal harmony. His most famous painting, Arrangement in Grey and Black No. 1 (1871), commonly known as Whistler's Mother, is a revered and often parodied portrait of motherhood. Whistler influenced the art world and the broader culture of his time with his theories and his friendships with other leading artists and writers.
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