1894 - 1982
King Vidor American Director
10
King Vidor dating history
Relationships
King Vidor was previously married to Elizabeth Hill (1932 - 1982), Eleanor Boardman (1926 - 1933) and Florence Vidor (1915 - 1924).
King Vidor was in relationships with Miriam Hopkins (1932) and Colleen Moore.
About
American Director King Vidor was born King Wallis Vidor on 8th February, 1894 in Galveston, Texas USA and passed away on 1st Nov 1982 Paseo Robles, CA USA aged 88. He is most remembered for The Big Parade, The Crowd, Show People. His zodiac sign is Aquarius.
Relationship Statistics
| Type | Total | Longest | Average | Shortest |
|---|
| Dating | 2 |
-
|
-
|
-
|
|---|
| Married | 3 |
50 years, 10 months
|
22 years, 8 months
|
8 years, 3 months
|
|---|
| Total | 5 |
50 years, 10 months
|
13 years, 7 months
|
8 years, 3 months
|
|---|
Details
| First Name |
King
|
| Full Name at Birth |
King Wallis Vidor
|
| Alternative Name |
King Wallis Vidor, King Vidor, King W. Vidor
|
| Age |
88 (age at death) years
|
| Birthday |
8th February, 1894
|
| Birthplace |
Galveston, Texas USA
|
| Died |
1st November, 1982
|
| Place of Death |
Paseo Robles, CA USA
|
| Cause of Death |
Natural Causes
|
| Buried |
Cremated, Ashes scattered
|
| Height |
5' 11½" (182 cm)
|
| Build |
Athletic
|
| Eye Color |
Hazel
|
| Hair Color |
Brown - Dark
|
| Zodiac Sign |
Aquarius
|
| Sexuality |
Straight
|
| Religion |
Christian Science
|
| Ethnicity |
White
|
| Nationality |
American
|
| Occupation Text |
Film director, producer, screenwriter
|
| Occupation |
Director
|
| Claim to Fame |
The Big Parade, The Crowd, Show People
|
| Year(s) Active |
1913–1980
|
| Friend |
Victor Fleming, Arthur Freed, Colleen Moore, John Gilbert
|
King Wallis Vidor (; February 8, 1894 – November 1, 1982) was an American film director, film producer, and screenwriter whose 67-year film-making career successfully spanned the silent and sound eras. His works are distinguished by a vivid, humane, and sympathetic depiction of contemporary social issues. Considered an auteur director, Vidor approached multiple genres and allowed the subject matter to determine the style, often pressing the limits of movie-making conventions.
