1887 - 1968
Marcel Duchamp French Artist
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Marcel Duchamp dating history
Relationships
Marcel Duchamp was previously married to Alexina Duchamp (1954 - 1968) and Lydie Sarazin-Lavassor (1927).
Marcel Duchamp was in a relationship with Maria Martins (artist).
About
Marcel Duchamp is a member of the following lists: American artists, French atheists and People from Greenwich Village, New York.
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Relationship Statistics
| Type | Total | Longest | Average | Shortest |
|---|
| Married | 2 |
14 years, 9 months
|
7 years, 10 months
|
11 months, 4 days
|
|---|
| Dating | 1 |
-
|
-
|
-
|
|---|
| Total | 3 |
14 years, 9 months
|
5 years, 2 months
|
11 months, 4 days
|
|---|
Details
| First Name |
Marcel
|
| Last Name |
Duchamp
|
| Full Name at Birth |
Henri-Robert-Marcel Duchamp
|
| Alternative Name |
Rrose Sélavy, R. Mutt, Marchand du sel
|
| Birthday |
28th July, 1887
|
| Birthplace |
Blainville-Crevon, France
|
| Died |
2nd October, 1968
|
| Place of Death |
Neuilly-sur-Seine, France
|
| Cause of Death |
Heart Failure
|
| Zodiac Sign |
Leo
|
| Sexuality |
Bisexual
|
| Religion |
Atheist
|
| Ethnicity |
White
|
| Nationality |
French
|
| University |
Académie Julian
|
| Occupation Text |
Painter, sculptor, chess player, writer
|
| Occupation |
Artist
|
| Music Genre |
Avant-Garde Music
|
| Music Style |
Pop/Rock, Experimental
|
| Instrument |
Artwork, Art Direction, Composer
|
| Father |
Eugene Duchamp
|
| Mother |
Lucie Duchamp
|
| Brother |
Jacques Villon (painter), Raymond Duchamp-Villon (sculptor)
|
| Sister |
Suzanne Duchamp-Crotti (painter)
|
Henri-Robert-Marcel Duchamp (28 July 1887 – 2 October 1968) was a French painter, sculptor, chess player, and writer whose work is associated with Cubism, Dada, Futurism and conceptual art. He is commonly regarded, along with Pablo Picasso and Henri Matisse, as one of the three artists who helped to define the revolutionary developments in the plastic arts in the opening decades of the 20th century, responsible for significant developments in painting and sculpture. He has had an immense impact on 20th- and 21st-century art, and a seminal influence on the development of conceptual art. By the time of World War I, he had rejected the work of many of his fellow artists (such as Henri Matisse) as "retinal," intended only to please the eye. Instead, he wanted to use art to serve the mind.
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