1896 - 1963
Tristan Tzara Romanian Author
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Tristan Tzara dating history
Relationships
Tristan Tzara was in a relationship with Nancy Cunard.
About
Romanian Author Tristan Tzara was born Samuel (Samy) Rosenstock on 16th April, 1896 in Moinesti, Bacãu, Romania and passed away on 25th Dec 1963 Paris, France aged 67. He is most remembered for Birth of Dada. His zodiac sign is Aries.
Tristan Tzara is a member of the following lists: French film directors, Jewish dramatists and playwrights and Pranksters.
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Relationship Statistics
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Details
First Name |
Tristan
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Last Name |
Tzara
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Full Name at Birth |
Samuel (Samy) Rosenstock
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Alternative Name |
S. Samyro, Tristan Ruia, Tristan
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Birthday |
16th April, 1896
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Birthplace |
Moinesti, Bacãu, Romania
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Died |
25th December, 1963
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Place of Death |
Paris, France
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Zodiac Sign |
Aries
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Sexuality |
Straight
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Religion |
Jewish
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Ethnicity |
White
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Nationality |
Romanian
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Occupation Text |
Poet, essayist, journalist, playwright, performance artist, composer, film director, politician, diplomat
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Occupation |
Author
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Claim to Fame |
Birth of Dada
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Music Genre (Text) |
Lyric Poetry, Epic Poetry, Free Verse, Prose Poetry, Parody, Satire, Utopian Fiction
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Tristan Tzara (born Samuel or Samy Rosenstock, also known as S. Samyro; 28 April [O.S. 16 April] 1896 – 25 December 1963) was a Romanian and French avant-garde poet, essayist and performance artist. Also active as a journalist, playwright, literary and art critic, composer and film director, he was known best for being one of the founders and central figures of the anti-establishment Dada movement. Under the influence of Adrian Maniu, the adolescent Tzara became interested in Symbolism and co-founded the magazine Simbolul with Ion Vinea (with whom he also wrote experimental poetry) and painter Marcel Janco. During World War I, after briefly collaborating on Vinea's Chemarea, he joined Janco in Switzerland. There, Tzara's shows at the Cabaret Voltaire and Zunfthaus zur Waag, as well as his poetry and art manifestos, became a main feature of early Dadaism. His work represented Dada's nihilistic side, in contrast with the more moderate approach favored by Hugo Ball.